I&B Ministry
160 MSOs get 10-year licences under DAS for specified areas; 27 denied permission
NEW DELHI: With addition of two more multi-system operators (MSO) from Sikkim and Bihar, the total number, who have been granted permanent registration for 10 years to operate the digital addressable system during the last two months has gone up to 158 as compared to 142 by December-end.
Most of these MSOs had been given provisional permission earlier. Thus five more MSOs have been granted permission after 5 March till 25 March.
The MSOs, who have received permission after 5 March are Siti Maurya Cable Network Pvt. Ltd for areas in all districts in the state of Bihar except Madhepura and Arawal; Sikkim Digital Network for Gangtok city and Kabi, Phodong, Mangan, Chunthang, Lachen, Lachung, Ranka, Ranipool, 32 Mile, Singtam, Central Pandam, Namthang, Majitar, Rangpo, Duku, Pakyong, Rorathang, Rhenock, Rongli Aritar, Dalapchand, Legship, Geyzing, Pelling, Tasiding, Yuksom, Soreng, Dentak, Reshi, Sombaria, Daramdin, Melli, Bermoik, Temi, Tarku, Namchi, Jorethang and Romang; International Cable Network for Bhojpur, Buxar and Rohtash; SaiStar Digital Media Private Limited for Ahmedabad, Rajkot, Surat, and Vadodara under Phase II, all other areas under Phase III and Phase IV; and Maharaja Entertainment for pan India in all Phases of DAS.
The list of MSOs, who have been refused permission as on 28 February has gone up to 27 from 26 with one more MSO being denied permission. Some of those in the cancelled list applied as early as March 2013.
MSO sources, however, said that the approved list was in addition to the 140 whose names had been approved earlier in March last year.
The Ministry website mib.nic.in has listed the areas and the date from which the MSOs have been given permission.
I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI:Â The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
