Hindi
Box office sees ho-hum collections this week
MUMBAI: Almost all movies failed to get the cash registers ringing at the box office this week.
Renowned artistes like Om Puri, Annu Kapoor, Seema Biswas and Satish Kaushik and the co-writer of Jaane Bhi Do Yaaron, Ranjit Kapoor, couldn’t help salvage Jai Ho! Democracy. People in India don’t need to be reminded about the shortcomings of the polity.
The other release of the week, Kaagaz Ke Fools, fared even worse. No footfalls worth noting.
There was also another release, better than the other two, but with no face value. Hence it failed to bring in the audience.
Much was expected from Nanak Shah Fakir but the film has not worked. The film barely managed to put together a figure of Rs 90 lakh for its first week.
Mr X, a forced 3-D, falls flat and adds one more disaster to the names of Vikram Bhatt and Emraan Hashmi. The film, which managed a weekend of Rs 12.45 crore, barely manages to add another Rs 6.1 crore over the next four days to end its first week with Rs 18.55 crore.
Margarita With A Straw, released at limited screens, fared okay at multiplexes in metros to end its first week with a collection figure of Rs 3.15 crore.
Ek Paheli Leela collected Rs 2.15 crore in its second week to take its two-week tally to Rs 20.85 crore.
Dharam Sankat Mein collected Rs 1.15 crore in its second week. With this, the film’s two week total stands at Rs 8.75 crore.
Detective Byomkesh Bakshyi takes its three week total to Rs 26.68 after three weeks.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
