Hindi
Jackie Shroff, Sandip Soparrkar honoured at Navi Mumbai International Film Fest
NEW DELHI: Senior Bollywood actor Jackie Shroff and choreographer cum ballroom dancer Sandip Soparrkar received special honours at the Navi Mumbai International Film Festival (NMIFF) 2015 for their contribution in cinema.
The Festival showcased more than 400 films from over countries in its second edition.
Soparrkar was especially honoured for his fantastic work in Hollywood and Bollywood films. “Sandip is a maestro in various forms of dance and has done immense work in spreading the dance culture across the country and the world. Many film stars from Bollywood and Hollywood have been trained by him and the young aspirants and artistes are learning from his great experience,” said Festival founder and chairman Sachin Khanna.
Soparrkar has choreographed for several films including 7 Khoon Maaf, Mangal Pandey and Kites, and has popularised Bollywood dance on the international platform, apart from choreographing for icons like Britney Spears and Madonna. Through this art, he has also raised funds for various causes world over.
Soparrkar said, “I feel humbled to be receiving this honour in front of so many film lovers from all over the world.”
The NMIFF was founded with the idea to showcase the talent and creativity of filmmakers from all over the world in Navi Mumbai.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
