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Aishwarya Rai, Irrfan Khan on a reality show for the first time ever

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MUMBAI: For the very first time in the history of television, superstars Aishwarya Rai Bachchan and Irrfan Khan will be seen on a reality show! The actors will be gracing the stage of India’s biggest dance reality show – Dance India Dance Season 5 as guest judges on a special episodethis Sunday, 30th August at 9PM on Zee TV. 

 

Ash and Irrfan were on the show to promote their upcoming thriller Jazbaa and the contestants and masters did not leave any stone unturned to floor the stars with their dancing prowess and fun spirit. While master Mudassar came prepared with some sher-o-shayari and showered Ash with compliments, the contestants decided to display their biggest strength, their dancing ability to woo the special guests. 

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Pankaj and Ashish from Punit Ke Panthers performed a contemporary act depicting deceit in friendship. The two swiftly and gracefully moved to the song ‘Kaminey’ and brought out with conviction the love between two best friends, seamlessly flowing into emotions of  being cheated on by one. Ashish and Pankaj who are known for their flawless contemporary performances, created magic with this act and moved Aishwarya to tears. Even before the dancers could get up and take a bow after the final pose, a teary-eyed Ash gave them a standing ovation. She shared how this soulful performance touched her and she could see the honesty and dedication of the contestants. Ash even congratulated Master Punit for the tremendous execution of a simple concept. The other act which left the mega stars Irrfan and Ash completely spellbound was the aerial act by contestants Anuradha and Kaushik from Mudassar Ki Mandli on the popular track ‘Ranjha Ranjha’.  Gaiti ke Gangsters weren’t far behind and the two pillars from the team, Sahil and Nirmal dedicated their act to the beauty queen.  They paid her tribute by depicting her journey from a super model to a superstar and performed to some of her most iconic songs, recreating her signature moves. They ended their act by showering flowers on Ash and this clearly had the gorgeous actor blushing a beet root red.

 

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But the show wasn’t complete without the masters exhibiting their dancing skills! The three came up on stage and requested Ash to shake a leg with them to her popular dance number ‘Kajra re’. Ecstatic on seeing their dream girl dance LIVE in front of them, the contestants jumped at this opportunity and joined her on stage. 

 

Both Ash and Irrfan were seen having a ball and did not shy away from showering praises on the talented contestants for the exceptional acts they put up! 

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GECs

Sahara One reports financial results, notes director exit and business realignment

Muted revenues, steady expenses and strategic adjustments shape company’s current phase

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MUMBAI: In a tale where the sands seem to be slipping faster than they can be gathered, Sahara One Media and Entertainment Limited has reported another quarter of wafer-thin income and widening losses, even as a boardroom exit adds to the unease.

The company informed the Bombay Stock Exchange that its board, in a meeting held on April 4, approved its unaudited financial results for the quarter ended September 30, 2025. The numbers paint a stark picture. Total income for the quarter stood at just Rs 0.13 lakh, unchanged sequentially and sharply down from Rs 0.26 lakh a year earlier.

Losses, meanwhile, deepened. The company posted a net loss of Rs 24.16 lakh for the quarter, compared to Rs 18.81 lakh in the June quarter and Rs 39.69 lakh in the same period last year. For the six months ended September 2025, the cumulative loss stood at Rs 39.69 lakh, while the full-year loss for FY25 was reported at Rs 60.72 lakh.

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Expenses continued to outweigh income by a wide margin. Total expenses for the quarter came in at Rs 24.30 lakh, led by employee benefit costs of Rs 6.51 lakh and other expenses of Rs 17.78 lakh. Earnings per share remained in the red at Rs (0.11) for the quarter.

The balance sheet reflects a company with significant assets on paper but limited operational momentum. Total assets stood at Rs 23,065.57 lakh as of September 30, 2025, broadly unchanged from March 2025. Equity share capital remained steady at Rs 2,152.50 lakh, while total equity was reported at Rs 18,004.85 lakh.

Cash and cash equivalents saw a modest uptick to Rs 6.75 lakh from Rs 4.68 lakh earlier, supported by a positive operating cash flow of Rs 180.01 lakh for the period.

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Yet, beneath these numbers lies a more complex narrative. The company’s auditors flagged their inability to obtain sufficient evidence to form a conclusion on the financial statements, citing lack of access to records. They also raised concerns over the company’s ability to continue as a going concern, pointing to insufficient funds, delayed recoveries, and stalled content investments.

Adding to the governance overhang, the company disclosed that Rana Zia has resigned as whole-time director, effective October 16, 2025, citing other professional commitments. The resignation, noted and accepted by the board, also brings an end to her role across company committees.

Regulatory pressures continue to loom large. The Securities and Exchange Board of India has already initiated penal actions for non-compliance with listing norms, with trading in the company’s shares remaining suspended. There is also a risk of promoter demat accounts being frozen.

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Legacy legal issues remain unresolved. A substantial deposit of Rs 694,027.88 thousand linked to the long-running OFCD dispute involving Sahara group entities is still under the purview of the Supreme Court of India. Restrictions on asset disposal continue to weigh on the company’s financial flexibility.

Operationally, challenges persist across multiple fronts. Advances worth Rs 1,92,916 thousand given for film content remain stuck, with delays in project completion and uncertain recoverability. The company’s YouTube channel, despite being operational, has generated no revenue for over three years due to compliance lapses. In a further twist, management has indicated that revenues may have been fraudulently diverted through unauthorised changes to its AdSense account, with a police complaint in the works.

There are also missed revenue opportunities. Television content rights continue to be used by a related party despite the expiry of the licence agreement, with fresh negotiations still underway.

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For now, Sahara One Media and Entertainment Limited appears caught between legacy disputes and present-day operational hurdles. As losses linger and governance questions mount, the road to recovery looks less like a sprint and more like a slow trudge through shifting sands.

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