Hollywood
Hansal Mehta’s ‘Aligarh’ to screen at 59th BFI London Film Festival
MUMBAI: Hansal Mehta’s Aligarh is fast becoming a toast of international film festivals. Close on the heels of the announcement of its World Premiere at the Busan International Film Festival comes the news of its selection at the 59th BFI London Film Festival, which is scheduled to take place from 7 to 18 October.
The film will be screened as part of the Festival’s Debate strand: Riveting films that amplify scrutinise and surprise.
Mehta brings a sensitive, humane story from small town India with Aligarh. Co-starring Manoj Bajpayee and Rajkummar Rao, the film draws from a real incident that took place in Uttar Pradesh.
A professor was suspended by his University for being gay after he is caught on camera in a sting operation. A young journalist investigates his first breaking story. Set in the myriad dark lanes of a volatile and decadent society, the two strikes an unlikely friendship that will change them forever.
The invite from Clare Stewart Director of 59th BFI London Film Festival states, “Our programme team found the film to be daring and strong, telling an incredibly important story that London audience will definitely respond to.”
Mehta added, “I am touched and very grateful that BFI has positioned Aligarh in such a relevant discussion. I think the recognition that international film festivals are giving us validates our reasons for making this film.”
Eros International Media managing director Sunil Lulla said, “At Eros, we take pride in producing films like Aligarh that tell a story with a difference. Hansal Mehta has made a relevant and beautiful film and its screenings at the BFI Film Festival & Busan prove that such films will always find an audience.”
Hollywood
Disney unifies streaming, film, TV and games under Dana Walden
Debra O’Connell to chair Disney Entertainment Television in new setup
LOS ANGELES: The Walt Disney Company is pressing play on a more tightly woven future. As audiences hop between cinema screens, streaming apps and game worlds, the media giant is stitching its storytelling arms into one coordinated machine under Dana Walden.
Set to take charge as president and chief creative officer on March 18, Walden will oversee a newly unified Disney Entertainment structure that brings together streaming, film, television and the company’s fast-expanding games and digital business. She will report directly to incoming chief executive officer Josh D’Amaro.
The thinking is simple. Whether viewers are watching on Disney+, heading to the cinema or diving into a game, Disney wants the experience to feel like chapters of the same story. Walden summed it up as strengthening the emotional thread between Disney’s characters and its audiences, wherever they choose to engage.
The leadership reshuffle reads like a carefully cast ensemble. Alan Bergman continues as chairman of Disney Entertainment, studios, steering film production, marketing and distribution while sharing oversight of direct to consumer.
Streaming gets a dual command. Joe Earley and Adam Smith step in as co-presidents of direct to consumer, jointly handling strategy and financial performance across Disney+ and Hulu. Earley will also guide content strategy, while Smith retains his role as chief product and technology officer across Disney Entertainment and ESPN.
A new chair enters the frame with Debra O’Connell taking on the role of chairman, Disney Entertainment Television. She will oversee an expansive slate that includes ABC Entertainment, National Geographic and Hulu Originals, while continuing to supervise ABC News and owned stations.
Gaming, once a side quest, is now a central storyline. Sean Shoptaw, executive vice president, games and digital entertainment, moves into the Disney Entertainment fold. His remit includes partnerships such as the collaboration with Epic Games, aimed at building a Disney universe linked to Fortnite.
Elsewhere, John Landgraf remains chairman of FX, reporting to Walden, while Asad Ayaz continues as chief marketing and brand officer, reporting to both D’Amaro and Walden.
The message behind the reshuffle is clear. Disney is no longer thinking in silos of screens but in stories that travel. And with Walden at the creative helm, the company is betting that a single, seamless narrative can keep audiences hooked, whether they are watching, scrolling or playing.
