Hollywood
Australian filmmaker George Miller to head Cannes Jury in May
NEW DELHI: Australian director, screenwriter and producer George Miller will be heading the jury of the 69th Festival de Cannes.
The Festival will be held from 11 to 22 May.
Reacting to his appointment, Miller said, “What an unmitigated delight! To be there in the middle of this storied festival at the unveiling of cinematic treasures from all over the planet. To spend time in passionate discourse with fellow members of the jury! Such an honour! I’ll be there with bells on!”
It was in Cannes last May that Mad Max: Fury Road set out on its fantastic cavalcade across the screens. The film, shown Out of Competition in the Official Selection, marked the return not only of the hero of the legendary saga for the myriad fans of Max Rockatansky, but also the comeback of his creator, Miller, and of the visionary filmmaking that made him a household name around the world.
The roots of Miller’s career, alongside those of Peter Weir, Bruce Beresford and Phillip Noyce stretch back to the golden age of Australian cinema from the 1980s.
Originally from a small village in Queensland, Miller wrote and directed Violence in the Cinema, part 1 in 1971. Produced by his friend Byron Kennedy, with whom he founded the Kennedy Miller company, the short film picked up two prizes from the Australian Film Institute. This official recognition encouraged Miller to pursue a career in film and to make his first feature film.
Hollywood
David Zaslav could net up to $887m as Warner Bros Discovery sells up
Media mogul strikes gold as Paramount Skydance deal triggers massive windfall
NEW YORK: While the average office worker might hope for a nice clock and a round of applause upon leaving, David Zaslav is looking at a slightly more substantial parting gift. The chief executive officer of Warner Bros Discovery is positioned to receive a windfall of up to $887 million following the company’s blockbuster $110 billion sale to Paramount Skydance.
In a twist of corporate fate that feels scripted for the big screen, the deal marks the finale of a high-stakes bidding war. It comes after Netflix, once the frontrunner, decided to exit stage left and abandon its pursuit of the HBO Max parent company.
While most people receive a standard final paycheck, the filing released on Monday suggests Zaslav’s exit package is built a little differently. If the deal closes as expected in the third quarter of 2026, the numbers break down like this:
The cash out: A severance package of $34.2 million, covering his salary and bonuses.
The equity: $115.8 million in vested shares he already owns.
The future fortune: A massive $517.2 million in unvested share awards, essentially “future stock” that turns into real money the moment the ink dries on the merger.
Perhaps the most eye-catching figure is the $335 million earmarked for tax reimbursements. However, this particular pot of gold has an expiration date.
The company noted that these reimbursements are tied to specific tax-code rules that significantly decline as time passes. If the deal hits a snag and drags into 2027, that tax payout drops to zero. With hundreds of millions on the line, the chief executive officer likely has every incentive to ensure the closing process moves at double-speed.
