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Viacom launches video sharing site Flux in Japan
MUMBAI: Viacom International Japan has launched the Flux video sharing site for broadband Internet users in Japan. |
Japan’s 75 million Internet users can now watch pre-programmed channels on Flux and access video-on-demand from a vast library of diverse content. As Flux members, users can also create their own personal channels from the video library and watch channels created by other users. |
Viacom International Japan senior VP and GM digital media Tony Elison commented, “Flux presents an entirely new way of interacting with entertainment – it’s 21st century television on the Web. Placing the consumer at the center of the programming universe, Flux offers endless opportunities for Japanese users to access the content they love, discover new entertainment and share their experiences with others.” In addition to video created by users, Flux features content including – Nickelodeon’s SpongeBob SquarePants; MTV’s Europe Music Awards and Jackass and local MTV Japan productions including Trainsurfer and Tempura, among others. Clips range from 3-10 minutes in length. Flux will continuously launch new programming to enrich the Japanese online entertainment landscape. Next month, Flux will bring content from Viacom-owned BET Networks to Japanese audiences, including excerpts from the 2006 BET Hip-Hop Awards. Bet chairman and CEO Debra L. Lee says, “Our mission is to provide high-quality entertainment to consumers of Black culture on a global basis. The launch of Bet content on FLUX provides access to an enormous audience who has long displayed an appetite for hip hop culture. This partnership allows Bet a chance to reassert our global brand presence while super-serving this passionate audience like never before.” Also next month, the first co-production from Flux and MTV Japan called Nigoldeneye will debut simultaneously on both platforms. The docudrama series will follow Nigo, the creator behind the ‘A Bathing Ape’ fashion empire. Content produced exclusively for both Flux and MTV Japan will complement the online and on-air viewing experiences, encouraging audiences to migrate between platforms. Flux also features more than 2,000 music videos – one of the largest selections online in Japan – licensed from local and international music companies such as Warner Music Group, Universal Music Group and Toshiba EMI. Artists featured on FLUX include international acts Madonna, Janet Jackson and Red Hot Chili Peppers, along with local acts. Additional licensing agreements with music companies will be announced soon. Flux says that it provides this diverse and innovative video programming in a unique environment. The Flux video player displays contextually related clips during video playback, so that the user can easily watch more programming from sources he enjoys, without the need for a specific search. Flux also allows users to programme their own channels and share these channels with friends within a social network. Individual channels created can include anything ranging from self-made content, clips created by others, music videos, animations and more – building bridges between professional, independent, and amateur content providers. In this way, Flux says that it harnesses the power of technology and social networking to facilitate users’ discovery of new entertainment. |
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With 57 per cent single new users, Ashley Madison rebrands as discreet dating platform
Platform says majority of new members now identify as single
INDIA: Ashley Madison is shedding the “married-dating” label that defined it for two decades, repositioning itself as a platform for discreet dating in what it calls the post-social media age.
The rebrand, unveiled in India on 27 February, 2026, marks a structural shift in business model and identity. Once synonymous with married dating, the company now describes itself as the “premier destination for discreet dating” under a new tagline: Where Desire Meets Discretion.
The pivot is data-driven. Internal figures show that 57 per cent of global sign-ups between 1 January and 31 December, 2025 identified as single: a notable departure from the platform’s married core. The company argues that its community has already evolved beyond its original positioning.
“In an age where our lives have been constantly put on public display, privacy has become the new luxury,” said Ashley Madison chief strategy officer Paul Keable. He framed the platform’s offering as “ethical discretion” for singles, separated, divorced and non-monogamous users seeking private connections.
The shift also taps into wider digital fatigue. A global survey conducted by YouGov for Ashley Madison, covering 13,071 adults across Australia, Brazil, Canada, Germany, India, Italy, Mexico, Spain, Switzerland, the UK and the US, found mounting discomfort with hyper-public online lives.
Among dating app users, 30 per cent cited constant swiping and messaging as a source of fatigue, while 24 per cent pointed to pressure to curate public-facing profiles and early personal disclosure. Some 27 per cent said fears of screenshots or information being shared contributed to exhaustion; an equal share cited unwanted attention.
The retreat from oversharing appears broader. According to the survey, 46 per cent of adults actively try to keep most aspects of their life private online. Only 8 per cent feel comfortable sharing most aspects publicly, while 35 per cent say they are becoming more selective about what they disclose.
Ashley Madison is betting that this cultural recalibration towards controlled visibility can be monetised. By doubling down on privacy infrastructure and reframing itself around discretion rather than infidelity, the company is attempting to convert reputational baggage into a premium proposition.
