I&B Ministry
MIB sets OTT accessibility rules, mandates captions and audio description
NEW DELHI: The government has asked OTT platforms to make their shows easier to watch and hear. A new set of accessibility guidelines from the Ministry of Information and Broadcasting requires streaming services to add features for viewers with hearing and visual impairments.
The move follows the Rights of Persons with Disabilities Act, 2016, and is meant to bring streaming closer to the promise of equal access. In simple terms, if a film or series is coming to an OTT platform, it should not arrive empty-handed. It should come with captions for those who cannot hear well and audio descriptions for those who cannot see clearly.
The guidelines ask platforms to provide at least one accessibility feature each for hearing-impaired and visually-impaired viewers. That could be closed captions, open captions, Indian Sign Language interpretation, or audio description. The aim is to make content understandable without turning the viewing experience into a technical chore.
There is, however, a long runway. Platforms have up to thirty six months from the date of the guidelines to ensure that all newly released content carries these accessibility features. Older titles in their libraries are not under strict timelines, but companies are encouraged to add features gradually.
The rules also go beyond the show itself. User interfaces, whether on mobile apps, smart TVs or websites, must be designed to work with assistive technologies. Accessibility labels such as CC for captions, AD for audio description and ISL for sign language must be displayed clearly so viewers know what to expect before pressing play.
Some content types get a free pass. Live events, music, podcasts, and short form content like ads are exempt because of practical challenges in real time captioning and description.
OTT publishers will also need to file accessibility conformance reports. The first report is due three years from now, followed by quarterly updates. Complaints from viewers will follow a three tier system, starting with the platform itself, moving to self-regulatory bodies, and finally reaching a government monitoring committee if needed.
For the streaming industry, the message is clear. Accessibility is no longer a nice extra tucked away in settings. It is fast becoming part of the main feature, and in a country where streaming audiences run into the hundreds of millions, that could make a very big difference to who gets to enjoy the show.
I&B Ministry
Government proposes scrapping film certification fast-track scheme
Priority route may be dropped to end queue-jumping and restore fairness
NEW DELHI: The government is set to press pause on the fast lane for film certification. The Ministry of Information and Broadcasting has proposed scrapping the Priority Scheme under the Cinematograph (Certification) Rules, 2024, a move that could end the practice of paying extra to move a film ahead in the queue.
In a public notice issued on 16 February, the ministry invited stakeholder comments on the proposal, with the consultation window open until 17 March.
The Priority Scheme, introduced in 2024, allowed filmmakers to request expedited certification by paying three times the standard examination fee. Under the rules, priority applications could be slotted ahead of regular submissions, effectively reshuffling the order of scrutiny.
What began as a provision for exceptional urgency, the ministry says, has gradually become business as usual. The result has been longer waits for films in the regular queue and concerns about fairness in what is meant to be a statutory, rule-based process.
Officials have flagged the risk of a two-tier system, where producers with deeper pockets could buy speed while smaller or independent filmmakers were left waiting their turn. The proposed amendment aims to remove that imbalance by restoring a single, orderly queue for all applicants.
If approved, the changes would remove the rule that permits priority screening upon payment of higher fees, as well as the provision that allows regional officers to alter the order of examination based on such requests. In effect, every film would move through certification strictly according to its place in line, unless a separate exceptional mechanism is introduced later.
For big-budget producers, the shift may mean factoring in longer lead times before release. Marketing campaigns, festival slots and box office calendars that once relied on a quick certification turnaround may need more careful planning.
Independent filmmakers, on the other hand, could find the playing field a little more level. Without a pay-to-fast-forward option, the queue may become slower for some, but fairer for all.
The government says the move is meant to restore equity, improve predictability and strengthen the integrity of the certification process. Whether removing the fast-track option reduces bottlenecks or simply redistributes the delays will depend on how efficiently the regular pipeline is managed in the months ahead.
