I&B Ministry
AI as a tool, not a voice: I&B Ministry marks World Radio Day 2026
Global theme highlights AI as a tool while preserving trust in the human voice
NEW DELHI: Radio, that quiet companion in kitchens, taxis and farm fields, is getting its annual moment in the sun. World Radio Day, marked every 13 February, returns in 2026 with a timely theme: “Radio and Artificial Intelligence: AI is a tool, not a voice.”
The message is simple. Technology may sharpen the tools, but it should never replace the people behind the microphone. In an era where algorithms can write scripts and generate voices, the theme reminds broadcasters that credibility, empathy and editorial judgement still belong to humans.
The day itself commemorates the launch of United Nations Radio in 1946, an early step towards global communication after the second world war. Unesco declared the observance in 2011, and the United Nations General Assembly gave it official recognition a year later.
In India, radio’s reach remains vast and varied. All India Radio, better known as Akashvani, continues to serve as the country’s public service broadcaster. Established in 1936 and later brought under public ownership, it now operates one of the world’s largest broadcasting networks.
AIR runs 591 centres across the country, covering nearly 92 per cent of India’s land area and more than 99 per cent of its population. Its programming is produced in 23 languages and 182 dialects, reaching audiences in big cities, remote villages and border regions alike.
From news and agriculture to health, music and youth shows, the station’s schedule reflects everyday India. In times of crisis, radio often becomes the most reliable voice in the room. During cyclones, fishermen along the coasts of Odisha and Tamil Nadu rely on AIR weather bulletins before setting out to sea. When schools shut during the pandemic in parts of Bihar, Jharkhand and Madhya Pradesh, students tuned in to educational broadcasts to keep learning.
Public radio is only part of the story. Private FM has added colour, humour and hyperlocal content to urban and regional airwaves. In August 2024, the Union Cabinet approved the rollout of 730 new FM channels across 234 previously uncovered towns and cities, a move expected to boost local programming and create jobs.
Community radio, often described as the third tier of broadcasting, continues to amplify grassroots voices. India now hosts 528 community radio stations, run by educational institutions, non profits and local groups.
These low power stations focus on local needs, from farming advice and health tips to folk music and cultural storytelling. In places such as Bundelkhand, women led stations have become platforms for discussions on education, welfare schemes and agriculture. In Kutch, community radio keeps the Kutchi dialect alive through songs and oral histories.
Even unusual spaces have found a voice. In Tihar Jail, inmates produce programmes on mental health, music and legal awareness, using radio as a tool for expression and rehabilitation.
The Indian Army has also tapped into radio’s reach in remote areas. In June 2025, it launched Ibex Tarana 88.4 FM in Jyotirmath, Uttarakhand, to share information on education, health and disaster preparedness. In January 2026, Radio Sangam 88.8 FM went live in Rajouri, Jammu and Kashmir, becoming the first community station along the Line of Control and offering verified local information.
To celebrate the occasion, All India Radio in Raipur is hosting a World Radio Day Conclave on 13 February 2026 in collaboration with Unesco. The event will focus on how AI can assist in content creation, translation, archiving and audience engagement while keeping the human voice at the centre of broadcasting.
Radio’s strength lies in its simplicity. It does not demand screens, data packs or literacy. It slips into daily routines and keeps company with listeners on the move. In cities like Delhi and Mumbai, cab drivers still tune in for traffic updates, cricket commentary and the day’s hit songs.
Prime minister Narendra Modi’s monthly programme Mann Ki Baat, first aired in October 2014, is another reminder of radio’s enduring pull. With more than 130 editions, it continues to reach millions across the country, both on air and online.
Radio’s emotional pull is best captured by the story of Ram Singh Bouddh from Amroha in Uttar Pradesh. Known as the “Radio Man of India”, he was recognised by Guinness World Records in 2025 for owning the world’s largest collection of radios, a staggering 1,257 sets.
His collection, housed in a small museum at Siddharth Inter College, charts the journey of radio technology from bulky wooden receivers to pocket sized transistors. What began as a hobby has become a living archive for students and visitors alike.
As digital platforms multiply, radio continues to hold its ground as a trusted, accessible and inclusive medium. It reaches those beyond the internet’s edge, carries vital information during disasters and gives communities a voice of their own.
World Radio Day 2026 does not just celebrate technology. It celebrates a human connection, carried on invisible waves, where the voice still matters more than the machine.
I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
