Hindi
Yoodlee Films Moves into Next Gear: finishes four films during COVID- 19
Four films in various stages of completion in the last four months of the pandemic. Sounds like a tall order, but this is exactly what one new-age production house has gone ahead and done.
The unexpected onset of a global pandemic notwithstanding, Yoodlee Films has moved into the next gear, by completing four feature films, in the last few months. COVID-19 has pushed the Indian film industry to rethink production logistics, on-set protocol, safety regulations for cast and crew, and challenged conventional distribution, publicity, and release methodologies. In the midst of this, Yoodlee Films has defied all odds and has successfully managed to complete the shooting of two feature films simultaneously, with all directives and measures in place. Alongside they have also wrapped up the post-production work on two other films, which are now being readied for release.
Known for films that traverse a wide spectrum of topics and genres, Yoodlee Films immediately sprung into action as soon as the Unlock guidelines for shooting films were announced. Two major feature films – a Hindi romantic comedy involving a stand-up comic duo, called 'Comedy Couple' and Marathi cinema’s first horror-comedy featuring Zombies – 'Zombivali’, started shoot immediately after the lockdown was lifted and completed the same in the next couple of months. Apart from this, two other features – 'Agra' and 'Bahut Hua Samman’ have sped into various stages of post-production and were readied for release, making Yoodlee Films the only production house to continue to be this prolific through the pandemic. Its also to be noted that during the lockdown, Yoodlee released the critically acclaimed 'Axone' and the crowd favorite 'Chaman Bahaar' on Netflix.
'Agra' stars an ensemble cast headed by Rahul Roy who makes a comeback, along with Priyanka Bose, Mohit Agarwal, Ruhani Sharma, Vibha Chibber, Sonal Jha, and Aanchal Goswami. It explores confined spaces and suppressed sexuality in small towns and promises to start a conversation around taboo subjects. Agra which is being touted as a festival favorite is directed by Kanu Behl, whose 2015 debut ‘Titli’ won much critical acclaim.
'Bahut Hua Samman' stars Raghav Junyal, Sanjay Mishra, Nidhi Singh, and Ram Kapoor among others. The film tweaks the idea of a heist caper and follows two students as they ideate to pull off a fool-proof robbery. Directed by Ashish Shukla and the film is set to launch on Disney+ Hotstar VIP on 2nd October 2020.
'Comedy Couple' – starring Saqib Salim and Shweta Basu Prasad and directed by Nachiket Samant, is an insightful look into the lives of two stand-up comics in the metro and is being touted as ‘com-rom’. The Film will premiere on Zee 5 Premium on the 21st of October.
'Zombivali,' is a unique Marathi horror comedy, featuring zombies for the first time, is directed by Aditya Sarpotdar and stars popular actors Amey Wagh, Lalit Prabhakar, and Vaidehi Parshuram.
Vikram Mehra, MD Saregama India, says: We are passionate about telling interesting stories in Yoodlee Films. We had set out three years back, as a rank outsider, with a thriving desire to create cinema that affects and engages and to bring some order and method into the madness of film-making. Today we have proved ourselves to be the fastest-growing movie studio in the business, ready to take up challenges (such as we faced in the last few months) and create a new work principle, which is both effective and economical. Our success proves that the tenets of good management work even in the film industry if applied with reason and sense.
Zombivali is looking at release next year when theatres will be operational, while Agra will soon be setting out to do the festival rounds all over.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
