Connect with us

News Broadcasting

When talent took over: Presenting the winners of the Indian Telly Technical Awards

Published

on

The 15th edition of Adobe presents IndianTelevision.com’s Indian Telly Technical Trade and Programming Awards was held on 28 October at Hotel Sahara Star. The awards recognize the talent in various technical categories like production, editing, writing, direction, distribution, and others.

The event saw an array of popular television celebrities like Divyanka Tripathi, Vivek Dahiya, Ravi Dubey, Deepika Singh, Sneha Wagh, Donal Bisht, Hunar Hali, Vikas Gupta, Anjali Anand, Ankit Bathla, Karan V Grover, Taher Shabbir, Eijaz Khan, Sushant Singh, Mahesh Thakur and many others who came out to support the heroes who work relentlessly behind the scenes.

The celebrities were all praises for the initiative and spoke about the importance of honouring technical crew.

Advertisement

The hosts of the night, Nakuul Mehta and Mohena Kumar Singh, were charming and enthralled the audience by their witty and thought provoking remarks.  

Here’s presenting the complete list of the winners!

Special-Visual Effects for Television: Indranil Roy, Bharat Mistry, and Nishikant Mohapatra for 21 Sarfarosh Saragarhi 1897

Advertisement

Special Visual Effects for Television: One Life Studios for Porus

Art Direction (Fiction): Sandesh Gondhalekar for 21 Sarfarosh Saragarhi 1897

Art Direction (Fiction): Sanjay Bairagi for Ishqbaaaz

Advertisement

Art Direction (Non-Fiction): Omung Kumar for Bigg Boss Season 11

DOP (Fiction): Abhishek Basu for 21 Sarfarosh Saragarhi 1897

DOP (Non-Fiction): Kumar Subramaniyan for Special Operations India – Pathankot

Advertisement

Costumes for a TV Programme: Ketki Dalal for Porus

Make Up Artist: Preeti Sheel Singh for Qayamat Ki Raat

Stylist: Shweta Korde for Karmphaldata Shani

Advertisement

TV Show Packaging (Non-Fiction): Rangrez Media Pvt Ltd for Raja Rasoi Aur Andaz Anokha

TV Channel Packaging (Including Channel Ids and Generic Promos): Sanjay Ramachandran for Blockbuster

Editor (Fiction): Vishal Sharma for Kumkum Bhagya

Advertisement

Editor (Non-Fiction): Mahesh Ranjan and Dweerad Mahapatra for Special Operations India – Pathankot

Background Music (Fiction): Kartik Shah for 21 Sarfarosh Saragarhi 1897

Director (Soap and Drama): Siddharth Kumar Tewary for Porus

Advertisement

Director (Sitcom): Kedar Shinde for Kya Haal Mr. Paanchal

Director (Thriller): Rajesh Ranshinge for Kaun Hai

Director (Non-Fiction): Trevellyn Fynn for Fear Factor KKK – Pain In Spain

Advertisement

Director (Non- Fiction): Prabhu asgaonkar and Maneka Asgaonkar for Special Operations India – Pathankot

Screenplay Writer (Drama Series & Soap): Medha Jadav & Siddharth Kumar Tewary for Porus

Dialogue Writer (Drama Series and Soap): Vinod Sharma for Karmphaldata Shani

Advertisement

Screenplay Writer (Sitcom Comedy): Hemant Kewani for Kya Haal Mr. Paanchal

Screenplay Writer (Sitcom Comedy) for Sanjay Kohli, Shashank Bali, and Manoj Santoshi for Bhabi Ji Ghar Par Hai!

Dialogue Writer (Sitcom Comedy): Virat Basoya for Kya Haal Mr. Paanchal

Advertisement

Story Writer: Shashi Mittal, Vaishali Naik, and Nageen Mirza for Yeh Un Dinon Ki Baat Hai

Scriptwriter (Non-Fiction): Iqbal Malhotra for Netaji Bose – The Lost Treasure

Sound for Fiction Show: Raghu Hegde for Porus

Advertisement

Sound for Non-Fiction Show: Ashhar Farooqui for The Last Drop

Title Song: Rajiv Chilaka for Kalari Kids

Singer: Shaan for Haasil

Advertisement

Lifestyle and Fashion: Small Budget Big Makeover Season 2

Talk Show: The Kapil Sharma Show

Cookery Show: Raja Rasoi Aur Andaaz Anokha

Advertisement

Travel Show: Great Escape with Kunal and Cyrus

Spiritual Show: Inside Tirumala Tirupati

TV Production House: Swastik Productions

Advertisement

Animation Studio Of The Year: Green Gold Animations

Creative Leadership and Excellence in Original Content: Arun Thapar

Best Sales Team: Zee TV

Advertisement

Best Marketing Team: Colors

Best Cable Operator: S N Sharma

Best DTH Operator: Dish TV; Videocon D2H

Advertisement

Digital Team: Hotstar

Innovative Brand Integration: Drop Out

Best CSR Initiatives: Ride The Van

Advertisement

Best Communication Team: Viacom 18

Best Sports Show: Umeed India

Editor's Choice Best Director Sitcom: Shashank Bali for Bhabi Ji Ghar Par Hai

Advertisement

Editor's Choice Best Dialogue Writer – Sitcom: Raghuveer Shekhawat and Manoj Santoshi for Bhabi Ji Ghar Par Hai

All in all, there was not a single dull moment throughout the event, as Nakuul had the audience in splits with his sense of humour! Kudos to everyone who was a part of this unique initiative.

Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

News Broadcasting

News TV viewership jumps 33 per cent as West Asia war draws audiences

BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup

Published

on

NEW DELHI: Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.

According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.

The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.

Advertisement

The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.

Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.

The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.

Advertisement

While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.

Continue Reading

Advertisement News18
Advertisement All three Media
Advertisement Whtasapp
Advertisement Year Enders

Copyright © 2026 Indian Television Dot Com PVT LTD

This will close in 10 seconds

×