Animation
PEG + CAT wins 3 Emmy Awards including Outstanding Pre-School Children’s Animation Program
MUMBAI: 9 Story Entertainment is pleased to announce that its series Peg + Cat (80 x 12’) has won three Emmys at the 2014 Daytime Emmy Awards, including Outstanding Pre-School Children’s Animation Program, Outstanding Performer in an Animated Program (Hayley Faith Negrin) and Production Design (Jennifer Oxley).
The series originally debuted on PBS Kids in the U.S. in the fall of 2013 and on Treehouse in Canada in March of this year. Peg + Cat has also been licensed by Super RTL (Germany and German-speaking Europe), Canal+ Family (France and French-speaking territories), ABC TV Australia, TVNZ (New Zealand), SVT (Sweden), YLE (Finaland), HOP (Israel), Mini-Mini (Poland), E-Junior (UAE), Zee Learn (India) and Disney (Korea).
Created by Emmy Award winning creative director, animator and children’s writer Jennifer Oxley (Little Bill, The Wonder Pets!) and Billy Aronson (Rent, Postcards from Buster), Peg + Cat is co-produced by 9 Story Entertainment and The Fred Rogers Company for PBS Kids. 9 Story has international distribution rights to the series.
The series follows an adorable spirited little girl, Peg, and her sidekick, Cat, as they encounter unexpected problems that require fun and creative solutions. In order to solve the problems, Peg and her cat must add, subtract and apply basic arithmetic. Their adventures take them to historical far-away lands, art centers in bustling metropolises and the colourful cosmos, all the while demonstrating that it’s never too early to start learning the magic of numbers.
9 Story is one of the industry’s leading creators, producers and distributors of award-winning animated and live-action content for young audiences around the world. With one of North America’s largest animation studios based in Toronto, 9 Story has over 220 creative and production staff, and has produced over 900 half hours of quality children’s and family programming, seen on some of the most respected children’s channels around the world across multiple platforms. The company’s distribution arm represents a growing catalogue which includes several beloved brands such as Arthur, Wibbly Pig, Harriet the Spy: Blog Wars, Wild Kratts and Almost Naked Animals in addition to exciting new series such as Numb Chucks, Camp Lakebottom, Cache Craze, Daniel Tiger’s Neighbourhood and Nerds and Monsters. The company recently acquired CCI Kids, the family content division of CCI Entertainment, increasing 9 Story’s portfolio to over 1600 half hours of content with popular shows such as Guess How Much I Love You, Joe & Jack, Artzooka! and Extreme Babysitting. www.9story.com
Animation
A new chapter unfolds as Lens Vault Studios debuts Bal Tanhaji
MUMBAI: History is getting a fresh rewrite this time with code, creativity and a longer arc in mind. Lens Vault Studios has announced its first original production, Bal Tanhaji, marking the official entry of the newly launched, tech-driven studio into India’s evolving entertainment landscape.
Arriving six years after the box-office success of Tanhaji: The Unsung Warrior, the new project expands the universe rather than revisiting familiar ground. Bal Tanhaji explores uncharted narrative territory, signalling a clear shift from one-off cinematic spectacles to long-format, world-building storytelling designed for digital-first audiences.
At the heart of this ambition is Prismix Studios, the in-house generative AI and technology arm powering the creative engine behind the show. The studio’s approach blends storytelling with next-generation tools, aiming to reimagine how Indian IPs are created, scaled and sustained beyond theatrical releases.
For Lens Vault Studios chairman Ajay Devgn the new venture represents a deliberate step beyond traditional cinema. The focus is firmly on building long-form intellectual properties across fiction and non-fiction, tailored to changing viewing habits and platform-led consumption. He said the studio intends to explore formats that remain largely untapped, while drawing on the team’s experience with large-scale cinematic storytelling.
Lens Vault Studios founder and CEO Danish Devgn echoed that sentiment, describing Bal Tanhaji as the studio’s first generative-AI-led IP and the starting point of a broader vision. The aim, he noted, is to carry forward the legacy of the Tanhaji universe while connecting with younger audiences through a blend of powerful narratives and emerging technologies.
With Bal Tanhaji, Lens Vault Studios is planting its flag early not just launching a show, but signalling a larger play for cinematic universes that live, grow and evolve across platforms. If this debut is any indication, the future of Indian storytelling may be as much about imagination as it is about innovation.





