Film Production
Catch the 1st international Bangla Cinema Carnival, organized by SVF, on Star Jalsha this sunday evening
MUMBAI: SVF, Eastern India’s largest movie production house recently organized an international Bengali cinema carnival in Bangkok with much fanfare. The star-studded, glitzy carnival, held in the Thailand capital, will air exclusively on Star Jalsha this coming Sunday (February 25), a must-watch for anyone who is interested in Bengali cinema. It is yet another first from SVF which ensured that Bengali filmdom finally landed on foreign shores.
From Dev to Ankush, Mimi to Nusrat and Imon to JeetGannguli, the Tollywood stars, singers and musicians were all there, singing, dancing and milling around, rubbing shoulders with one another. If Shruti Pathak started with the song Shubharambh, Nakash Aziz’s Jabra Fan, Lagnajita’sBasantoEsheGeche and Jeet’sChinteParli Na, had the audience in raptures.
While Sayantika grooved to superhits like TammaTamma and TuCheezBadi Hai Mast Mast as well as Phoolkoli and Remix Qawali; Nusrat performed on Aayat from the movie BajiraoMastani as well as Ami Je KeTomar’s title track. Yash made the fans go crazy when he danced to the peppy Mon from the movie Total Dadagiri and ThikEmonEbhabe; Mimi was seen dancing to the biggest party numbers of 2017KarGayiChull and Senorita as well as Emotional Saiyaan and Honey Bunny while Ankushchipped in with performances on Shona, Take it Easy and Darling and more
The first Bengali international film carnival was not just about songs and dances, though. It paid rich tributes to ‘Yesterday Actresses’ such as Suchitra Sen, Supriya Devi, Madhabi Mukherjee, Tanuja, Aparna Sen and Sandhya Roy. The tribute was brought alive by Rituparna Sengupta who danced to the numbers of the films these legendary actresses starred in.
SVF co-founder & Director, Mahendra Soni said “It’s an attempt from us to take Bengali cinema to international scene by organizing the carnival in the city of Bangkok, something few have thought of before. We are sure that people will enjoy watching this magnificent show on Star Jalsha on Sunday evening. The show will have a red carpet segment from 6 to 7pm, followed by a 4 hour performance based show till 11pm,’’
Dev brought the house down, dancing to Party Shoes and BhojoGournango (from the SVF-produced Bindass and Challenge), while Rituparna Sengupta danced to numbers like E ShudhuGaner Din and AajMon Chheyeche Ami HariyeJabo, rekindling nostalgia that seeped through the first-ever carnival of its kind.
Film Production
Disney to cut 1,000 jobs under new chief executive
The entertainment giant’s freshly installed boss inherits a restructuring already in motion, with marketing and corporate roles bearing the brunt
CALIFORNIA: Walt Disney is preparing to slash up to 1,000 jobs in the coming weeks, the Wall Street Journal reported, as the entertainment giant’s freshly installed chief executive moves swiftly to trim fat and tighten the ship.
The cuts, less than 1 per cent of Disney’s global workforce of 231,000, will fall hardest on marketing and corporate roles. The planning, notably, began before D’Amaro formally took the top job in March, suggesting the new boss inherited a restructuring already in motion rather than one of his own making.
Driving the push is Asad Ayaz, Disney’s newly appointed chief marketing officer, who in January assumed command of a unified, company-wide marketing operation spanning film, television and streaming. His consolidation drive has been given a suitably cinematic internal name: Project Imagine.
The move is modest by Disney’s recent standards. Between 2023 and 2025, under former chief executive Bob Iger, the company eliminated roughly 8,000 positions across several brutal rounds of cuts, saving $7.5 billion, comfortably exceeding its own targets. As recently as June 2025, several hundred more jobs were axed across Disney Entertainment, hitting film and television marketing, publicity, casting, development and corporate finance.
Disney’s structural headaches are well-documented: shrinking streaming margins, a weakened box office, and fierce competition from Amazon and YouTube gnawing at its flanks. The company is merging its Disney+ and Hulu teams into a single app, has brought in consultants from Bain & Co to guide its broader cost strategy, and is betting heavily on digital growth.
The wider entertainment industry offers little comfort. Sony Pictures, Paramount and Warner Bros. Discovery have all taken the knife to their workforces in recent years, and further cuts loom if Paramount’s acquisition of Warner goes through.
For D’Amaro, the message is clear: there will be no honeymoon period. The magic kingdom still has some cost-cutting spells left to cast.
