GECs
Zee registers 16% net growth in PAT for FY 2002
Subhash Chandra’s Zee Telefilms today announced a revenue growth of 10 per cent, EBITDA growth of 30 per cent and profit after tax growth of 16 per cent for the year ending March 2002.
Zee has reported consolidated net profit of Rs 599.1 million for the fourth quarter ended 31 March, 2002 compared to Rs 307.8 million in the corresponding quarter a year ago. Total income during the January-March quarter rose to Rs 3.24 billion from Rs 3.19 billion in the same quarter a year earlier.
On a standalone basis, the company’s net profit during the three months to 31 March 2002 was Rs 211.30 million compared to Rs 472.90 million in the corresponding quarter last year. Total income during the reporting quarter was Rs 1.26 billion as against Rs 1.36 billion in the corresponding quarter a year earlier.
For the fiscal year ended 31 March, 2002, the company has posted a net profit of Rs 1.04 billion compared to Rs 1.38 billion in the fiscal year ended 31 March, 2001. Total income for the fiscal year 2001/02 was Rs 4.70 billion as against Rs 4.35 billion in 2001.
Zee declared consolidated revenues of Rs 11.409 billion, 10 per cent over FY2001. The increase in revenues it ascribed largely to subscription revenues, which recorded a sharp jump of 65 per cent to Rs 3.369 billion.
AD REVENUES: On the ad revenue front, Zee declared a decline of 7 per cent to Rs 6.402 billion. It’s still far better than what one may have assumed would be the case considering that Zee’s ad revenues are still facing a hard time as its programming, some of which has been appreciated as being of high quality has still to make a major mark on the ratings charts. Referring to its efforts to refurbish the content side of its operations, Zee said that during the quarter, the overall programming cost of the network went up due to write-offs on old inventory.
PAY REVENUES: Zee went pay last year. Zee TV and Zee News, two of the leading channels of the networkwent pay in June 2001. The Joint venture with Turner also became operational during the quarter. As a result, the domestic pay revenues of the network increased to Rs 359 million during the quarter.
The investments in regional pay channels under brand “Alpha” is an important strategic building block for the network, since regional language channels will be a significant growth area in the future, targeting a new, yet complimentary market segment that is currently not being addressed by other major broadcasters, the company says.
GECs
Sony to launch Tum Ho Naa game show hosted by Rajeev Khandelwal
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.







