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YouTube is the platform to be on, says AIB’s Tanmay Bhat

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MUMBAI: The 6th edition of MixRadio Music Connects provided a pivotal platform for the discussion of Indian multi channel networks (MCNs) and how YouTube has helped artists in building a strong viewership, new content and audiences.  When it comes to MCNs, India has a large digital video market and the younger audiences today are more likely to watch digital videos than television.

Moderated by Music Matters president and Branded co founder and CEO Jasper Donat, the panelists included All India Bakchod (AIB) co founder Tanmay Bhat,  Qyuki Digital Media co founder and managing director Samir Bangara, Ping Network co-founder and director Rajeshree Naik,  Digital Quotient (HT Media) business head entertainment Parmeet Lamba and YouTube India head of content operations Satya Raghavan. The session discussed the advent of MCNs and the rising players who are creating content online.

As the co-founder of one of India’s leading YouTube channels, Bhat spoke about how it all began for him. He said, “Well, we began as a comedy podcast and then sometime last year, we started doing sketch comedy on YouTube. Our YouTube channel became the fastest growing channels in India. We now also make content for brands”.   

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Raghavan expressed that he was delighted with the fresh content emerging on YouTube. He commented, “Earlier, I used to only watch YouTube for movie trailers but all of a sudden I am finding myself watching unique content on channels like AIB. It’s truly been a fascinating year for YouTube”.  

Speaking of the business model of YouTube, Raghavan further elaborated, “YouTube is platform where you see online videos. Advertising is our primary source of revenue and we share more than half of that with the creators”.

 
Bangara added on the role of MCN in today’s market, “We are like the new-age label. We do what record labels did for musicians in the traditional market. Today, you do not have to be in a bar to discover new music talent. YouTube does that for you”.

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Talking about the rise of MCNs, Donat pointed out, “This is an area where there is some serious money. Companies are being bought for hundreds of millions of dollars. One of the biggest MCN deals had Disney acquiring Maker Studios for $500 million plus $400 million earn out”.

Bangara responded, “We are in the broadcast network creation space and monetization on that is two-fold. Ad monetisation on YouTube is not sufficient. As a MCN, we bring a lot of branded content to the table. We take talent, package them and promote them to brands. Our business model is a mix of brand monetization as well as CPM ad monetisation”.

Naik agreed with Bangara and further added, “This business is eventually going to be based on relationships. The technology platform is YouTube but the MCN is purely a service business. It’s all about understanding the ecosystem and helping the artists benefit”.

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Parmeet Lamba commented, “It is also important that we help individual artistes in monetizing and distributing their content.  In the regional space, a lot of Punjabi music has been coming up. We build talent and they become popular. There are a lot of deals and collaborations happening in the market. A lot of brands are approaching us to feature their products for the artists’ next videos. The brands offer to sponsor these artists. And with the gained popularity, these performing artists get more live gigs”.

Elaborating on how YouTube helped him in his popularity meter, Bhat said, “When we attended the YouTube fanfest this year, it was a very overwhelming experience. People were watching us on their phones. It was a different level of engagement altogether. YouTube is the platform to be on!”

Adding on to that, Raghavan added, “There are a lot of cover singers who are becoming popular. We also get to see original content in the music space. Being on YouTube definitely gets you more gigs and it is an amazing platform for the common man to express himself. However, one needs to constantly put up content. Fans love to see the passion you have for your craft and the engagement level needs to be high. The creator needs to be disciplined and also focus on interacting with his or her fans. 2015 is going to be the year of music!”

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 While speaking on the potential of YouTubers breaking into the mainstream music scene, Naik opined, “If you were a musician about 20 years ago, you would have sung for about 5 years and then made a video. Today if you want to be a musician, you need to begin with the video. Today, you have that platform that can help you get noticed. That pretty much sums up why digital videos are so important for musicians”.

 

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Event Coverage

Anime India announces Amazon MX Player as co-presenting partner for Anime India Kolkata 2026

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MUMBAI: Riding high on the success of its blockbuster Mumbai debut, Anime India is accelerating its nationwide expansion with the announcement of Amazon MX Player as the co-presenting partner for Anime India Kolkata. The partnership marks a significant step forward in the festival’s mission to deliver large-scale, accessible, and fan-first anime experiences across the country.

Scheduled for 14 and 15 February 2026 at the iconic Biswa Bangla Mela Prangan, Anime India Kolkata will launch the first regional chapter of what is set to be a year-long, multi-city tour. As the curtain-raiser for the 2026 circuit, the Kolkata edition aims to fuse the energy of global Japanese pop culture with India’s fast-growing community of anime, manga, and pop-culture fans.

A household name in digital entertainment, Amazon MX Player brings unmatched reach and cultural relevance to the Anime India platform. With its expanding focus on anime and youth-driven content, Amazon MX Player’s involvement as co-presenting partner reinforces Anime India’s vision of making anime culture more inclusive breaking barriers of language, geography, and accessibility to connect with fans nationwide.

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                                              Glimpses of Anime India Mumbai edition

Anime India Kolkata 2026 will showcase cosplay competitions, interactive zones led by the Indian Gunpla Community, India-39 Vocaloid Community, The Japan Curry, and Adda-o-Otaku by The Otaku Guild. Fans can join tournaments across fighting games, Pokémon VGC, and more. Acclaimed Japanese director Susumu Mitsunaka (Haikyu!!) will attend as guest of honour, appearing in panels and live sessions. Positioned as an immersive celebration of fan culture and industry collaboration, the Kolkata edition marks the beginning of Anime India’s nationwide expansion.

Sharing their perspective on the partnership, Amazon MX Player director Aruna Daryanani expressed, “Anime in India has evolved from a niche interest into a mainstream cultural movement, driven by an increasingly engaged and passionate fanbase. At Amazon MX Player, our focus is on expanding access by bringing anime to audiences across the country for free and in multiple local languages. Our association with Anime India reflects our commitment to supporting the growth of anime in India and deepening connections with fans, while continuing to build Amazon MX Player as a trusted destination for free, high-quality entertainment.”

“Anime India Kolkata is a celebration of how anime has grown beyond entertainment into a powerful cultural and creative force. By bringing fans, creators, and industry leaders onto one shared platform, the festival is helping define the future of pop culture in India,” said Anime India co-founder and director Neha Mehta.

The debut edition of Anime India 2025 in Mumbai attracted over 29,000 fans, quickly cementing its status as a landmark celebration of anime and Japanese pop culture. Riding on this overwhelming response, the Kolkata chapter is projected to draw more than 40,000 visitors across two days, positioning it as one of the biggest anime conventions ever held in eastern India.

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Anime India is focused on bringing together fans from across the country to create a truly pan-India celebration of anime, manga, cosplay, gaming, and Japanese culture. With plans to expand into four key metropolitan hubs in 2026—east (Kolkata), north (Delhi), west (Mumbai), and south (Hyderabad)—the festival seeks to deliver globally benchmarked experiences while supporting and uplifting creators, artists, and fan communities throughout India.

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