News Broadcasting
WION launch now formal; lists marquee shows
MUMBAI: After its soft launch in August this year, Zee Media Corporation Limited (ZMCL) English News Network, WION – World is One News has now been formally launched. Its formal launch with is followed by rolling out of a major marketing campaign aptly titled WION – Be One With the World.
The editorial team consists of experienced journalists, researchers and analysts with global exposure. With bureaus in 37 global locations, WION has international reach and multi-cultural staff adding local perspective to every global news story. WION is the first India based network to have its presence in regions like UK, USA, China, Russia and Africa making it South Asia’s first truly convergent, multi-media English News Network.
“A revolutionary product from the Zee Media stable, WION represents a sophisticated transition from the usual ‘Breaking News’ phenomenon. WION brings exclusive and insightful content that often escapes popular media. Targeting upscale viewers in India as well as the Indian diaspora, our endeavour is to showcase content that truly represents the spirit of South Asia with focus on India. Embracing our philosophy of ‘Vasudhaiva Kutumbakam – The World is My Family’, through WION we believe that news will be the common thread that binds us all together,” said ZMCL executive director and COO Rajiv Singh.
The multi-city campaign will take off across various platforms including television, print, Rradio, OOH, DTH and digital. Leveraging the network strength, WION will further amplify its launch through a roadblock on more than 40 channels of ZEEL and ZMCL on 9 December. Phase I of the marketing campaign will focus on the India market, and it will gradually extend to other markets across the world in Phase II.
WION is a global news network that brings news from around the world but with a South Asian view. The goal of the channel is to engage and empower viewers through balanced and extraordinary storytelling. The channel aims to explore and understand the stake of South Asian region in world affairs by pushing the boundaries of innovation on digital, mobile and television platforms.
WION editor-in-chief Rohit Gandhi added, “In an increasingly divided and violent world, the content at WION is carefully curated keeping in mind the sensitivities of all regional identities. While the news genre already has different filters – American, British and Middle-East, there is no South Asian lens that helps the world understand the South Asian perspective on world affairs; WION aims to bridge this gap. WION targets a generation that is global, social, value-oriented, visual and technologically savvy. We tell stories relevant to a wider global audience and to the millennial generation that consumes news on the go. The news at WION is easy to consume without sacrificing in-depth analysis of issues.”
Gandhi further added: “While neutrality is journalism’s prime directive, and nothing comes between that, our TV and web platforms do have separate places set aside to foster positivity and inspiration culled from real life. WION Edge and Konversation are online series for sharing positive stories of people from India and around the world. On TV, whether it’s the on-location reporter, our anchors or guests, the conversation is always calm and orderly, with everyone given a chance to speak.”
WION offers an experience that is beyond news. It has a variety of content appealing to both younger and mature audience. WION will not only offer news, but also general entertainment content covering genres like lifestyle, human stories, animals, food, environment and fashion among others.
The presentation of content is innovative with use of visuals, timelines, graphics, on-ground live coverages, 360-degree interactive videos, flying drones and story app. The channel has interactive content to encourage participation from the viewer’s end. A big focus of the platform is on user generated content through its Citizen-Journalism App.
WION’s programming consists of a diverse line-up of shows from all genres. The shows on the channel comprise:
|
Name of the Show |
Description |
Anchors |
Timeslot |
|---|---|---|---|
|
Democracy & Dictatorship |
Strategy and political show |
Rohit Gandhi, Editor-in-Chief |
Every Saturday at 9 pm |
|
Tech it Out |
Technology & Lifestyle show |
Sahil Maniktala and Sejal Pandey |
Every Friday at 10 pm |
|
Unscripted |
Entertainment show |
Francesca Mascarenhas and Aaron Ian Lyngdoh |
Every Friday at 9 pm |
|
Gravitas |
Prime time News Bulletin |
News bulletins with invited guests |
Weekdays at 9 pm |
|
WION Wallet |
Business show |
Chaiti Narula |
Weekdays at 9.30 am & 5.30 pm |
|
WION Breakfast |
Morning Bulletin show |
Charu Sharma and Satyashree Gandham |
Weekdays at 8 am |
|
WION Sports |
Sports show |
Ayesha Sindhu |
Weekdays at 7.30 pm |
The channel is available across all DTH providers like Dish TV (#605), Tata Sky (#628), Airtel (#386), Videocon d2h (#367), Reliance BIG TV (#459) and all other leading cable networks.
News Broadcasting
Newsrooms rethink AI, trust and revenue models
Editors and tech leaders debate tools, deepfakes and viability.
MUMBAI: If yesterday’s newsroom ran on caffeine and chaos, tomorrow’s may well run on code but with a human still holding the pen. At the 22nd edition of the Video Broadcast and Broadband Tech Summit hosted by IndianTelevision.com, some of the sharpest minds in Indian media gathered to examine how artificial intelligence, automation and shifting audience behaviour are reshaping journalism. The session, titled The Newsroom of Tomorrow Tools, Trust, and Business Viability In Focus, did not descend into techno-utopian hype. Instead, it wrestled with a more uncomfortable question: how do you stay relevant, credible and profitable when the audience is changing faster than the headline cycle?
The panel featured Govindraj Ethiraj, Editor of The Core, Dr Nilesh Khare, COO of Sakal Media Group; Prakaran Tiwari, Chief Executive Producer at NDTV Profit; Manoj Padmanabhan, Head of Business Media and Entertainment at AWS; Neeraj Mishra, Key Account Manager at Vizrt and session chair; and Mayuresh Konnur, Bilingual Correspondent at Collective Newsroom, publisher for BBC in India.
Govindraj Ethiraj set the tone with a frank assessment. “The reason people do not consume as much news through us is because they are consuming news through other sources they trust more,” he said. In a fragmented ecosystem flooded with content, trust has become the real differentiator.
Yet AI is undeniably transforming workflows. Ethiraj admitted he now uses AI tools to proofread his own articles. “Sometimes it is scary how much it picks, but it helps,” he said. What once required layers of sub-editing can now be assisted by machines trained to flag errors, inconsistencies and structural weaknesses.
He pointed to how newsroom roles have evolved. The desk editor, widely advertised over the last 15 years, barely existed in its current form before the internet boom. As digital publishing accelerated, tasks such as curating listicles, ranking stories and optimising headlines became specialised functions. Now, many of those responsibilities can be performed or at least supported by AI systems. The disruption is not hypothetical; it is operational.
Dr Nilesh Khare approached the issue from both a business and technological standpoint. Sakal Media Group is developing its own large language model, built on 60 years of text and photo archives. The goal is independence. “We won’t need to depend on other platforms to develop ours,” he said, underscoring the strategic value of proprietary data.
For Khare, AI represents opportunity as much as anxiety. It can help expand content across geographies and languages, particularly in bridging North and South Indian markets. It can streamline production and reduce costs. He did not shy away from the implications. “As a journalist I feel bad but as a content producer I feel good that we will require less manpower,” he said, articulating a tension many in the room recognised but few openly admit.
He also highlighted how audience behaviour is evolving. Today, a retail investor can follow a stock using Gemini or GPT instead of toggling between multiple news channels. News is no longer consumed linearly; it is queried, personalised and synthesised. The newsroom must therefore produce content that survives not just on screens but within AI-generated summaries.
Prakaran Tiwari offered a more philosophical reflection. “AI has developed itself and adapted on the basis of how news is consumed. It’s all about giving a perspective,” he said. In his view, the competitive edge will not lie in speed alone but in interpretation. Facts are increasingly commoditised; context is not.
He also suggested that formats are fluid. While short-form video dominates social feeds, long-form audio is resurging. Govindraj Ethiraj noted that in the United States the 2024 election was described as the “podcast election”, reflecting how audiences are investing time in deeper, long-form discussions. The newsroom of tomorrow must cater to both scrolling and sustained listening.
Manoj Padmanabhan of AWS reframed the debate. Technology, he argued, is not an existential threat but an amplifier. “The power is given to the human journalist with all this technology in their hand, with it acting as a support or assistant to deliver the correct and relevant news to the people,” he said.
The traditional divide between a “normal” newsroom and a “digital” newsroom is fading. “It will not be two newsrooms,” he said. “It will be one newsroom.” In that integrated environment, the storyteller remains central. AI may assist with research, editing and distribution, but editorial judgement remains human.
Neeraj Mishra of Vizrt echoed the assistive narrative. India, he said, is a market of organised chaos, where news broadcasters are pushing ever-increasing volumes of content. AI will help manage scale. It is not here to replace people but to assist them.
Production barriers are already collapsing. “You don’t need a green screen to produce content now,” Mishra observed, hinting at virtual production tools and real-time rendering technologies. And this, he said, is only the beginning. In a cost-conscious market like India, AI adoption in both B to B and B to C segments is likely to rise sharply. The skills are available, he argued, the real question is whether organisations are willing to invest.
If opportunity was one half of the conversation, risk was the other. Mayuresh Konnur warned that fake news is now being peddled with alarming ease using AI tools. Deepfakes, synthetic audio and fabricated visuals can damage credibility overnight. Several journalists, he said, have already faced instances where manipulated content was circulated in their name.
“Eventually it becomes a question of how authentic you are in the market,” Konnur noted. In a crowded information economy, credibility is the ultimate moat. Regulations and clear guidelines, he argued, are necessary to curb misuse without stifling innovation.
Mishra added a note of caution against overuse. “AI should not be everywhere. It has to be used optimally,” he said. The value lies not in blanket automation but in strategic integration.
One of the most resonant metaphors came from Padmanabhan. AI, he suggested, is like a brush in a human hand. Powerful, versatile, transformative but inert without the artist. It cannot survive without the human touch.
Konnur distilled the session’s core takeaway, AI is inevitable, but the art of storytelling will never disappear.
In a media landscape defined by speed, shrinking attention spans and intense competition, the newsroom of tomorrow is not simply a technological upgrade. It is a recalibration. Between efficiency and ethics. Between automation and authenticity. Between reducing manpower and retaining meaning.
The algorithms may write cleaner copy and generate sharper graphics. They may even predict what audiences want before audiences know it themselves. But the enduring task remains unchanged to tell stories that inform, interrogate and inspire.
And for that, the human newsroom is still very much open for business.






