GECs
Will Jeena Isi Ka Naam hai be Sandeep Goyal’s KBC?
He seems to have got his charge’s act together this time. After a disastrous Roosevelt-type 100-hundred day relaunch of Zee TV, group broadcast CEO Sandeep Goyal went back to the drawing board as it were and completely reworked his strategy.
He hired a new creative team, which was headed by Tara wiz Vinta Nanda and left her to handle the process of getting Zee back on track while he chose to whiz around globally, making a pitch for the Indian television industry, and projecting himself as the face of Zee TV, marking his presence at many a fora.
Proof that the strategy is working is the show Jeena Isi Ka Naam Hain (JIKNH), which marks its third week on air this Friday. If the first two episodes are anything to go by, Zee TV has a winner on its hands. The tide seems to have turned at last.
Goyal and Nanda seem to have done the right thing by plumping for the show. Produced by NDTV for its channel NDTV World, which never got to see the light of day, JIKNH is just what the TV doctor would have prescribed for the ailing Zee.
It has great ingredients: film star celebrities, who while they are adored and swooned over, are little known excepting what appears in film magazines which focus on their extramarital affairs and mistakes rather than their positive aspects. In noted film actor Farouque Shaikh they have a presenter who is pretty amiable. Viewers get to know more about their stars through lesser known people – like you and me – who momentarily, because of their associations with the stars, become stars themselves.
Additionally, the show has the slickness that was missing on other Zee TV shows. Finally, it appeals to advertisers and media planners and buyers in ad agencies, which greatly influences whether they buy or not.
Zee TV also seems to be doing well on the marketing front with good creative and slickly produced
billboards and promos. The creative suggests that we are getting to see the real face behind the star’s mask on JIKNH.
The only disadvantage is that it is a weekly. To generate stickiness for the channel, Zee TV should plug some of its programming properties – throw in a few dailies into this pot – heavily. Six properties – including JIKNH – might just suffice to do the trick. It has its Playwin lottery draw, which because of the jackpot is a property that could build up across the whole network. Then it has Sa Re Ga Ma which has a new anchor in Shaan, who bonds tremendously with the bubble-gum crowd, with his boyish good looks and melodious voice. It needs another three good shows, which will help it ride back into the hearts of viewers.
To Zee TV’s advantage is the fact that Star has not been able to replicate the mind-boggling viewership numbers it used to generate (with its earlier shows) for its new shows. It has a window of opportunity to leap into. Now it’s over to Team Goyal and Nanda.
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
