iWorld
Where Mike Hopkins is taking Amazon Prime Video
Amazon Prime Video and Amazon Studios SVP Mike Hopkins is a 30-year vet old in streaming veteran, having overseen the developed of products such as BTN2GO and Fox Now as head of Fox distribution and later led Hulu on a rapid growth path as its CEO. He spent a short stint at Sony Pictures Television Networks as its chairman before being lured away by Jeff Bezos to lead Prime Video just before the pandemic hit the world.
Hopkins is quite charged up about the opportunity that lies ahead with Prime Video. Speaking at APOS he said that Amazon has 150 million plus Prime members globally and Prime Video is a key driver of the service.
Hopkins expressed that growth for Prime Video lies primarily in international territories. “Before I arrived the company had made some really smart investments in serving customers around the world,” he said. “And we intend to double down on that investment over the next couple of years. We will continue to invest in local and global content and that is very critical,”
Most of the investments are going towards creating originals in 15 of the 200 markets Prime Video is available outside the US. “People in many countries have an affinity to US content,” Hopkins added. “But increasingly customers also want to see stories about them their culture and issues written and produced by people in their countries and played out by actors who look like and speak like them. Our teams have been building a home for talent and attracting the top creators all over the world.”
The content acquisition teams, Hopkins revealed are also making smart bets and doubling down on investments in acquiring SVOD content and TVOD catalogues. This apart, Hopkins, stated that Amazon’ sports team has also been inventing and reinventing spots, taking bets in properties and that is going to increase going forward.
Hopkins went on to add that the second big opportunity for Amazon Prime Video lies in improving customer experience. “We have probably the most complicated business model of the SVoD players, so that makes the customer experience more important for us,” he expressed.
He revealed that members can look forward to improvements in how they can navigate and use the service over the next year or two. “Customers can rent and buy movies and TV shows and they can also subscribe to TV channels in many markets,” he highlighted. “Making it easier for them to understand what’s what and how they can get to the content is important and we will prioritise this along with content investments.”
He explained that he sees Prime Video offering a variety of content to its users, right from the SVOD content to TVOD to channels. “We want to offer them a one-stop-shop for their entertainment needs and (adding) channels is going to be a major focus for us.”
Hopkins stated the pandemic has not impacted its pipeline of content going forward. “We have about 40 shows in various stages of production,” he said. “We have a very deep library, we have licensed content. We have a lot of originals. We are going to launch the second season of The Voice and several other shows. But what we will see is a slowdown in terms of premieres in the first half of next year. The thinning of these shows will be more than made up by the TVOD content in movies and the channels members can subscribe to.”
He pointed out that Amazon Prime Video had gone in early into India as an SVOD service and the way forward is becoming be super aggressive in the market from an originals. “We will have more than a dozen originals in each of the markets we are investing in by next year or so” he revealed. “And India is one of our priority markets.”
iWorld
Why Peaky Blinders is one of television’s biggest hits that still deserves more attention
Six seasons, multiple awards and the release of Peaky Blinders: The Immortal Man bring the Shelby saga back into the spotlight
In the crowded universe of streaming content, only a handful of shows manage to leave a lasting cultural footprint. Peaky Blinders is overwhelmingly considered one of the biggest global hits of the past decade. Yet many viewers still haven’t fully explored the dark, gripping world of the Shelby family.
Originally produced for the UK’s BBC and later finding a massive global audience through Netflix, the series quietly grew from a British period drama into a worldwide streaming phenomenon.
Created by Steven Knight, the show follows the rise of the Shelby crime family in post-First World War Birmingham. What begins as a gritty street-gang story gradually expands into a sweeping narrative about ambition, politics, power and survival.
At the centre of the saga is Thomas Shelby, portrayed with extraordinary depth by Cillian Murphy. The casting of Murphy is widely regarded as perfect for the role. With piercing eyes, restrained dialogue and an almost hypnotic screen presence, he transforms Shelby into one of the most unforgettable characters in modern screen storytelling.
Murphy’s brilliance lies in his restraint. He rarely shouts or performs theatrically. Instead, a quiet stare, a calculated pause or a subtle shift in expression conveys the emotional storms within the character. Beneath the ruthless gang leader is a war veteran carrying trauma, guilt and loneliness. Murphy captures this complexity with remarkable precision, making Thomas Shelby both terrifying and deeply human.
Beyond its central performance, Peaky Blinders stands out for its unfiltered portrayal of reality. The show does not romanticise crime. Instead, it exposes the harsh social conditions of early 20th-century Britain, from poverty and class struggle to political extremism and the psychological scars left by war.
The series also presents powerful female characters who hold their own within the Shelby empire. Polly Gray, played by Helen McCrory, is the strategic backbone of the family and one of the most formidable figures in the story. Women in the series shape decisions, influence power structures and challenge the rigid social norms of the time.
Across six seasons, the narrative grows dramatically in scale. What begins in the smoky streets of Birmingham evolves into a story involving political conspiracies, fascism and international criminal networks.
The series has also earned significant critical acclaim. It won the BAFTA Television Award for Best Drama Series in 2018 and multiple National Television Awards for Best Drama, cementing its reputation as one of Britain’s most celebrated modern shows.
Another defining feature of the series is its iconic music. The show’s opening theme, Red Right Hand by Nick Cave and the Bad Seeds, became instantly recognisable and widely associated with the Shelby universe. Combined with a powerful soundtrack featuring artists such as Arctic Monkeys and Radiohead, the music helped shape the show’s dark, stylish identity and became hugely popular among fans.
And the Shelby story is not over yet.
In fact, its legacy is unfolding right now. The long-awaited feature-length continuation, Peaky Blinders: The Immortal Man, was released on March 6, 2026, bringing the Shelby universe from streaming screens to cinemas and giving fans a new chapter in the saga.
For viewers who have not yet stepped into this world, the timing could not be better.
Six gripping seasons are ready to binge on Netflix. A new film has just arrived in theatres. And at the heart of it all stands one of the most magnetic performances in modern drama by Cillian Murphy.
So if Peaky Blinders has been sitting on your watchlist for years, this weekend is your moment.
So, by order of the Peaky fookin’ Blinders, consider this your cue to finally step into the ruthless world of Thomas Shelby. Pour yourself a drink, clear your schedule and press the play button. Because when the Peaky Blinders give an order, you listen.
