Hindi
‘Water’ to be the opening film at 4th Jagran Film Festival
MUMBAI: The 4th edition of the Jagran Film Festival, Mumbai 2013 will begin with the film Water and will be screened on 24 September at Fun Republic in Andheri, Mumbai. Water is a 120 minute feature film born out of a unique Israeli-Palestinian cinematic cooperation. Produced by the Film and Television department of the Tel Aviv University in association with Tu Vas Voir, the project Water is made in HD, colour. Yael Perlov had initiated this project and is also the artistic director of Water. Its original version is in Arabic, Hebrew, and English.
Taking complete artistic freedom, in 2012, a small group of Israeli and Palestinian filmmakers directed a feature film that explored a strong unifying subject – Water. Besides being a highly poetic and pastoral subject, Water is also a very political and violent subject with respect to the Israel-Palestine conflict. Water is about two conflicting populations, which couldn’t overcome the prejudice and political intimidations, but ultimately finds a platform for a unique collaboration, in the form of this feature film. This is one of the reasons why Water is so special.
Cinema always has the ability to penetrate forbidden zones and Water exemplifies that. It has made all of us realise that we all yearn for a solution to this long-going on conflict. Several Directors have interpreted this subject in their own creative way, which together has given shape to Water.
The film, a unique piece of art has been screened at various international film festivals, Venice International Film Festival, Jerusalem Film Festival, Busan International Film Festival, Mostra International de Cine de Sa? Paulo, Brazil, Stockholm International Film Festival, Swedenand many others. This is the Asian Premiere of the film.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
