International
Twenty one animated films vying for Academy honours
MUMBAI: A record twenty one animated features have been submitted for Oscar consideration.
Computer-animated films continue to dominate, generating big box office as four of the year‘s top 10 highest-grossing films have been computer generated creations. For the first time, stop-motion animation films also had a big year with more than one of the nominees in the feature animation category, being a stop-motion film. Several small time producers at home and overseas served up traditional, hand-drawn fare.
CGI
Since Pixar‘s Toy Story became the first feature-length computer-animated film released way back in 1995, CG has been used to produce a string of animated hits. This year, Disney offered Pixar‘s Brave and Disney Animation‘s Wreck-It Ralph; DreamWorks Animation fielded both Madagascar 3: Europe‘s Most Wanted and Rise of the Guardians which opened on 21 November; and Fox/Blue Sky Studio‘s Ice Age: Continental Drift, Universal/Illumination‘s Dr. Seuss‘ The Lorax and Sony Pictures Animation‘s Hotel Transylvania all hit it big.
Stop-Motion
Among the hopefuls this year are Tim Burton‘s Frankenweenie, which to date has grossed $63.2 million worldwide for Disney. Producer Laika‘s sophomore feature ParaNorman that has collected $97.3 million worldwide is the second film in the category. They are followed by director Peter Lord‘s The Pirates! Band of Misfits.
Hand drawn
This year, contenders include three hand-drawn features from GKIDS Films, the New York-based distributor that crashed the Oscar party one year ago with the surprise animated feature nominations for Chico and Rita and A Cat in Paris, grabbing slots that many expected to go to more high-profile contenders such as Steven Spielberg‘s The Adventures of Tintin.
GKIDS is putting up for consideration From Up on Poppy Hill from Studio Ghibli, The Rabbi‘s Cat, and Zarafa. Rounding up the list of contenders in the category are Walter & Tandoori‘s Christmas and The Mystical Laws.
International
Russia-India cinematic spectacle Persimmon of My Love set for grand Moscow debut
Hindi cinema style musical revives Indo-Soviet cinema ties for today
MUMBAI: A new chapter in cross-border storytelling is set to unfold as Persimmon of My Love gears up for its premiere in Moscow on 1 April 2026, marking the first large-scale cinematic collaboration between Russia and India in decades.
Positioned as a modern nod to the cultural exchange that once brought Indian classics to Soviet audiences, the film blends Hindi cinema flair with Russian storytelling, aiming to rekindle a long-standing cinematic friendship.
Directed by Marius Weisberg, the musical comedy follows two brothers navigating a lively world of music, family and romance. The lead roles are played by Demis Karibidis and Mikhail Galustyan, with Karibidis also contributing as a screenwriter.
Shot entirely in India, the production leans heavily into Hindi cinema style spectacle. Filming took place across Mumbai studios and the cities of Udaipur and Jodhpur, whose architecture was used to create the fictional setting of Khurmada. A crew of over 350 worked on the project, with large-scale sequences featuring up to 1,000 extras.
The film also brings Indian creative talent into the mix. Dance sequences are choreographed by Jay Kumar, while music by Zurab Matua features songs in both Hindi and Russian, adding to its cross-cultural appeal.
Backed by TNT channel, MyWayStudio and the Russian Cinema Fund, the project reflects a broader push to strengthen cultural ties between the two countries.
With its mix of colour, comedy and cross-border collaboration, Persimmon of My Love is not just a film release but a reminder that cinema, much like music, travels well across borders.
