News Broadcasting
Times Network MD & CEO MK Anand speaks out on l’affaire Arnab
MUMBAI: Times Network MD & CEO MK Anand is known to be a rather reticent kind of executive. He would rather keep a low profile and speak only when he is approached. So, when he decides to open up to the media, there’s obviously something he wants to set right.
Says he: “Ever since Arnab’s departure, the rumour mills have been running amok and a lot of canards have been let loose. I would like to set them right.”
According to Anand, first is the buzz that Arnab left because he was being sidelined, and that he did not have much editorial independence. “The fact is that there was zero pressure on him,” he says. “We don’t meddle with the editorial policy. I have spoken to him on content matters only twice since I have been here. And, the shareholders do not really get in to day-to-day operations at all.”
Anand shares that it was Arnab who announced his departure to his team before putting out his resignation to him, and let it to go viral on social media.
“We share a good relationship. We continued carrying his picture and name on the shows he used to host for a long time even after he announced his departure. Even on the last day, I had lunch with him and there was no negativity. I would have loved to retain him. I was saddened to see him go and, of course, I miss him,” he acknowledges.
Anand berates the fact that there seems to be a campaign to malign Times Now. “People were saying that Times Now and Arnab are synonymous. That Times Now has sunk after Arnab. BARC data shows otherwise. Week 1-45 of this year, Times Now had an audience share of 41 per cent; week 46-50 it has the same 41 per cent,” he says.
Then, there is the rumour that the news channel lost Rs 100 crore in revenue post-Arnab. “Untrue again. While I believe it’s worth that much, I wish we made so much money on NewsHour that he used to anchor,” he expresses.
Market estimates are that Arnab’s prime time shows contributed around Rs 50-60 crore to the channel’s top line, figures which Anand is unwilling to confirm.
“The advertisers who were there when Arnab was anchoring are there even when he is not,” says he. “Just take a look at the Adex data for October and November.”
What Anand wants to finally rectify is the perception that hordes of journalists have followed in the wake of Arnab. “Times Now has 320 employees,” he says. “Nine have left. We have a normal attrition rate of 25 per cent which is about 80 people leaving each year or around six to seven staffers each month. If we lose nine people, it does not mean there has been an exodus. 311 staffers have chosen to stay on.”
News Broadcasting
News TV viewership jumps 33 per cent as West Asia war draws audiences
BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup
NEW DELHI: Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.
According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.
The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.
The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.
Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.
The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.
While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.








