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Sujoy Ghosh mulls Kahaani franchise

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MUMBAI: Stung by the climax of the film after which Vidya Bagchi dissolves herself among the sindoor and aabir-clad women, returning after their Dashami day rituals, one never had the time to give a thought to the lady. But, the clever director that he is, Sujoy Ghosh kept room for taking the film forward by keeping the lady alive.

Now after the heartening response that Ghosh‘s Kahaani has been getting, he has decided to make the Kolkata-based mystery-drama and its protagonist Vidya Bagchi a part of an ongoing series.

Confirmed Ghosh, “Yes, turning Kahaani into a franchise is something that was in my mind from the time I wrote the film. I knew I had stumbled on a unique idea that I didn‘t want to let go of. What Vidya Bagchi does with her life after my Kahaani, haunts me. I want to take the idea forward.”

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According to Ghosh, the idea was with him for a very long, he having written the script of Kahaani four years ago. And, knowing well that the protagonist had the potential to be a part of a series, the director has now begun to seriously consider carrying the story forward.

Hence, if all goes well, Kahaani 2 would be Ghosh‘s next project. He has already cracked the idea for a sequel.

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Kridhan Infra enters film production with AI-led feature film

Infra firm debuts AI-powered film marking RSS centenary

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MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.

With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.

The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.

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For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.

The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.

India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.

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“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”

From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.

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