GECs
Star Plus set to replace ‘Sumit Sambhal Lega’ with RDP’s ‘Tamanna’ on 1 February
MUMBAI: Star Plus is all set to replace the Indian adaptation of Everybody Loves Raymond – Sumit Sambhal Lega, with a new show called Tamanna, from 1 February.
The show, produced by Ramesh Deo Productions, will be aired at 10 pm from Monday-Friday.
Meanwhile Sumit Sambhal Lega, which went off air on 9 January, will enjoy its presence on the channel till 30 January in the form of Best of Sumit Sambhal Lega during the same time slot of 10 pm.
Tamanna is based on the life of a female cricketer. The story will revolve around a woman who wants to become a cricketer and the sacrifices she makes to make her dream successful.
Tamanna in the 10 pm time band will be pitched against others programmes across Hindi GECs like Colors’ prime time show Meri Aashiqui Tum Se Hi, which is among the top rated show in Broadcast Audience Research Council (BARC) India rating. On the other hand, it will also compete against Zee TV’s Yeh Vaada Raha, Life OK’s Savdhan India, India fights Back; Sab TV’s new show Sahib Biwi Aur Boss, which was launched on 21 December, &TV’s Begusarai and Sony Entertainment Television’s Power Couple.
GECs
Sony to launch Tum Ho Naa game show hosted by Rajeev Khandelwal
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.







