Hindi
SRK and Padukone set the stage on fire at the music launch of ‘Chennai Express’
MUMBAI: The first look of UTV Motion Pictures‘ and Red Chillies Entertainments‘ Chennai Express created a frenzy amongst fans. To take that excitement further the much awaited music of Chennai Express was launched on Wednesday at a star studded event in Mumbai in the presence of actress Deepika Padukone, Shah Rukh Khan – actor and producer, Red Chillies Entertainments, Ronnie Screwvala – MD Disney UTV, Bhushan Kumar – chairman and MD T-Series director Rohit Shetty and music director duo Vishal-Shekhar.
Songs released from the movie are already topping the popular music charts.
The album boasts of an array of 8 songs from foot tapping dance numbers like ‘1234 Get on the dance floor‘ and ‘Ready Steady Po‘ to a soulful rendition like ‘Titli‘, from love songs to total entertainment ones like ‘Chipak Chipak Ke‘, ‘Tera Rasta Chhodon Na‘, ‘Kashmir Main,Tu Kanyakumari‘ and even the title track ‘Chennai Express‘ which is specially sung by S P Balasubramaniam. The lyrics for the album have been written by Amitabh Bhattacharya.
“Chennai Express has been a reunion of sorts for me. My first film was with SRK as a co-star, Manish Malhotra did my costumes and Vishal-Shekhar composed the music. I love all the songs and the way Vishal-Shekhar have beautifully amalgamated the theme and the tracks. Titli is my favourite one,” said actress Deepika Padukone.
Commenting on the music Shah Rukh Khan said, “Music breathes life into a film and Vishal-Shekhar have exactly done that with the songs of Chennai Express. I have always had a great working experience with them. There‘s a song for everyone in the album. My personal favourites are Tera Raasta Chodu Na and Titli. Hope you‘ve liked them too!”
“Chennai Express‘ music is the film. Love, humour, action, comedy, it‘s all in the songs. Also it is a genuine homage to South Indian culture / music,” said music directors Vishal and Shekhar.
“I am very excited about the music of our film because of Vishal and Shekhar. They have put together a brilliant album keeping the theme of the film in mind. Having worked with them for Golmaal 1, I am very glad that we have come together for Chennai Express too,” said director Rohit Shetty.
“It is always a great pleasure to work with Shah Rukh Khan. T-Series has been associated with him right from his first home production Main Hoon Na. SRK has a great taste for music which is evident from Don 2, Ra.One, Om Shanti Om and now Chennai Express. Chennai Express is a great mixture of various flavours and melodies collated amazingly by Vishal-Shekhar,” said T-Series chairman and MD Bhushan Kumar.
Chennai Express will hit theatres worldwide on Eid – 8 August 2013.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
