Hindi
Special 26, ABCD hit the right notes at the BO
MUMBAI: Akhsay Kumar-starrer Special 26 opened slow on Friday but as the word of mouth spread, the film started picking up from Friday evening itself and went on to consolidate over the weekend. The film‘s performance is at its best at premium multiplexes.
The film‘s cost for Indian theatrical rights is about Rs 320 to 340 million and should face no problems making it. The film has been appreciated for all round performances by the artistes as well as for its climax. The film collected Rs 265 million for its first weekend. Some extra benefit is expected on Valentine‘s Day.
Remo D‘souza‘s ABCD: Any Body Can Dance with no stars on the billboards had an excellent opening, in fact better opening response than the star cast film Special 26. ABCD has greatly drawn the youth and its choreography has been much liked by the youth. The film had a wonderful weekend and collected Rs 184 million for its first three days. The film should get a major boost on the Valentine‘s Day.
David with Neil Nitin Mukesh in the lead continued to do poor collecting a mere Rs 35 million for its first week with as much as Rs 15.8 million coming from the Bombay Circuit.
Mira Nair‘s much talked about Midnight‘s Children has been rejected by moviegoers. No amount of controversies and staying in the news has helped the film which collected just Rs 12.5 million to show for its first seven days.
Vishal Bharadwaj‘s Matru Ki BIjlee Ka has added Rs 1.2 million to its collections in its fourth week taking its tally to Rs 393.7 million.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
