Hindi
Shyam Benegal to head jury for Asia Pacific Screen Awards
NEW DELHI: Famed filmmaker Anurag Kashyap’s Ugly has been shortlisted in the features in competition of the 7th Annual Awards of the Asia Pacific Screen Awards.
Other films from acclaimed filmmakers include Hong Kong’s Wong Kar Wai (The Grandmaster), Japan’s Hayao Miyazaki (The Wind Rises) and Hirokazu Kore Eda (Like Father, Like Son), as well as Kim Ki Duk (Moebius) from the Republic of Korea and Asghar Farhadi (The Past) from the Islamic Republic of Iran. First timers competing with them include Singapore’s Anthony Chen (Ilo, Ilo) and Australia’s Kim Mordaunt (The Rocket).
The International Nominations Council is currently deliberating in Brisbane ahead of the 2013 nominations announcement this month. The 2013 Asia Pacific Screen Awards ceremony will be held in Brisbane’s historic City Hall on 12 December at a glittering event, with nominees and industry luminaries in attendance. Films are submitted to the awards across four categories; Feature Film, Documentary Feature Film, Animated Feature Film and Children’s Feature Film.
The 2013 International Nominations Council are currently in Brisbane to determine the nominees in the six feature film categories of Best Feature Film, Achievement in Directing, Best Screenplay, Achievement in Cinematography, Best Performance by an Actress and Best Performance by an Actor.
The awards are the Asia Pacific region’s highest accolade in film, recognising and promoting cinematic excellence and cultural diversity of the world’s fastest growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world’s film output.
With an incredibly strong line-up of over 230 films from 41 countries and areas, including Academy Award Best Foreign Language Film submissions from an unprecedented 19 countries, the 2013 competition reinforces the award’s position as the region’s highest accolade in film, recognising and promoting the cinematic excellence and cultural diversity of the vast Asia Pacific.
Features in competition for 2013 include films not only awarded within their own countries and areas, but also at the world’s leading film festivals beyond Asia Pacific, with the line-up including multiple award winners from Cannes, Berlin, Toronto, Sundance, Venice and Tribeca.
Winners in the feature film categories will be determined by the 2013 APSA International Jury, headed by esteemed Indian screenwriter and director Shyam Benegal, who will lead a group of accomplished Jury members including Korean screenwriter and director Kim Tae-yong, “Queen of Sri Lankan Cinema” actress of stage and screen Hon Dr Malani Fonseka, Turkish actor Tamer Levent, Swiss director Christoph Schaub and Hong Kong producer Albert Lee. The International Jury can also, at its discretion, present a further prize: the Jury Grand Prize, for which nominated feature films are eligible.
Winners of the Documentary Feature Film, Animated Feature Film and Children’s Feature Film categories will be peer-voted by the APSA Academy members.
The Middle Eastern countries encompassed by the Asia Pacific region have a particularly strong number of entries this year, from countries and areas including Iraqi Kurdistan, Afghanistan, Saudi Arabia, the United Arab Emirates, Turkey and the Palestinian Territories. The Islamic Republic of Iran alone sees no less than four grand masters of cinema in the competition, APSA Academy members Asghar Farhadi (The Past), Jafar Panahi (Closed Curtain), Mohammad Rasoulof (Manuscripts Don’t Burn) and also Mohsen Makhmalbaf (The Gardener).
APSA Director of Awards Competition, Maxine Williamson is thrilled by the final competition: ‘It’s extremely satisfying to see the competition line up get even stronger year after year, and what is particularly rewarding in 2013 is the healthy number of entries received from the thriving APSA Academy, testament to the ever-growing strength of the awards.’
In addition to the many entries from APSA Academy members, the completed 2011 MPA APSA Academy Film Fund project, Maryam Ebrahimi’s documentary feature film No Burqas Behind Bars, is also entered in competition, and is the third completed film fund project to enter the competition.
Brisbane’s Lord Mayor Graham Quirk said of the close of competition: “This is a very exciting part of the Awards process, and I looking forward to announcing the 2013 nominees. It will be our great pleasure to welcome the nominees to Brisbane in December for this extremely prestigious international event.”
The chairman of the 2013 International Nominations Council is South Korea’s Professor Hong-Joon Kimwhi is a published author, award-winning director and screenwriter, Professor Kim is also a former Commissioner of the Korean Film Council and is a Film Professor at the Korean National University of Arts.
Members include India’s Meenakshi Shedde, an independent film curator, film festival consultant, film critic, film director and journalist who is the India Consultant to the Berlin and Dubai Film Festivals; Jeanette Paulson Hereniko (Hawaii), the founder of the Hawaii International Film Festival, a founding board member of the Network for the Promotion of Asian Cinema (NETPAC), and a former film festival juror at Berlin, Rotterdam, Busan, Singapore and Mumbai; Kathryn Weir (Australia), head curator of the Australian Cinémath?que and also Head Curator of International Contemporary Art at Queensland’s Gallery of Modern Art (GoMA); producer Peggy Chiao (Taiwan), the former chairperson of the prestigious Golden Horse Film Festival, and the pioneer who cultivated the co-production of films among China, Hong Kong, and Taiwan; Philip Cheah (Singapore), film critic, Vice-President of NETPAC and program consultant for the Jogja-NETPAC Asian Film Festival, Cinema Digital Seoul Film Festival, South-east Asian Film Festival, Shanghai International Film Festival, Dubai International Film Festival and the Asia Pacific Films website; and APSA Film Competition Director Maxine Williamson (Australia).
Two additional major awards for outstanding achievement will be presented at the ceremony. The UNESCO Award for outstanding contribution to the promotion and preservation of cultural diversity through film, and the FIAPF Award for Outstanding Achievement in Film which celebrates a film practitioner from the region whose career and actions contribute strongly to the development of the film industry. The APSA NETPAC Development Prize of $ 5,000 will also be awarded.
The Asia Pacific Screen Awards are managed by economic development board Brisbane Marketing in a unique collaboration with Paris-based UNESCO and FIAPF-International Federation of Film Producers Associations.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
