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Shekhar Kapur to head Pune-based FTII

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MUMBAI: The Pune-based Film & Television Institute of India (FTII) has appointed veteran filmmaker Shekhar Kapur as the president &  chairman of the governing council, a position he will hold till  March 2023.

Information & broadcasting minister Prakash Javadekar made the announcement on Twitter. He also stated that that Kapur will add value to the institute.  

 

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Kapur, in turn,  thanked the government for the posting. 

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He replaces BP Singh who was appoiinted president n 2018. Singh is best known as the producer of the long-running Sony TV show CID and was recently appointed by the Indian Council for Cultural Relations (ICCR) to its general assembly.

Several industry stalwarts and organisations gave their thums up to Kapur’s  appointment. 

 

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The 75-year old Kapur is well known  both in India and internationally, having been involved with cinema for the past four to five decades. Some of the more critically acclaimed films he has been associated with as a producer or director include:  Mr India, Bandit Queen, Queen Elizabeth, Masoom, and others. This apart, he has been the  host of the TV show Pradhanmantri in 2013.

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FTII is India’s  leading institution for film making.  Started in 1960, the institute, it is situated on the premises of the erstwhile Prabhat Studios in Pune. It has  produced some of India’s finest film talents and icons. It offers a variety of courses including – direction, screenplay, cinematography, editing, direction, screen acting.

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Dhurandhar the revenge storms past Rs 1,000 crore in a week, rewrites box office records

Aditya Dhar’s spy thriller sets fastest run to Rs 1,000 crore with record-breaking weekday hold

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MUMBAI: The box office has a new juggernaut—and it is moving at breakneck speed. Dhurandhar the revenge has smashed past the Rs 1,000 crore mark worldwide in just a week, clocking a staggering Rs 1,088 crore and resetting the rules of the blockbuster game.

Backed by Jio Studios and B62 Studios, and directed by Aditya Dhar, the spy action sequel opened to the biggest weekend ever for an Indian film globally—and then refused to slow down. Unlike typical tentpole releases that taper off after Sunday, this one powered through the weekdays with rare muscle, posting Rs 64 crore on Monday, Rs 58 crore on Tuesday, Rs 49 crore on Wednesday and Rs 53 crore on Thursday.

The numbers stack up to a formidable first-week haul. India collections stand at Rs 690 crore nett and Rs 814 crore gross, while overseas markets have chipped in Rs 274 crore, taking the worldwide total to Rs 1,088 crore in just eight days.

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The film’s opening weekend alone delivered Rs 466 crore, laying the foundation for what is now being billed as the fastest climb to the Rs 1,000 crore club in Indian cinema. Every single day of its first week has set fresh benchmarks, from the highest opening weekend to the strongest weekday hold—metrics that typically separate hits from phenomena.

A sequel to the earlier hit Dhurandhar, the film has not just built on its predecessor’s momentum but obliterated previous records, emerging as the biggest global blockbuster run by an Indian film to date.

At this pace, the film is not merely riding a wave—it is creating one.

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