Animation
Shefali Johnson named CEO as Comic Con India enters bold new phase
MUMBAI: Comic Con India, the country’s iconic pop culture celebration, is set for a dynamic new chapter as Shefali Johnson is appointed CEO, following a landmark year of expansion under Nodwin Gaming’s ownership.
Johnson steps into the role as founder Jatin Varma, along with co-founder Karan Kalra and event director Sonal Varma, transition into advisory positions. The trio, who have nurtured the Comic Con legacy since its inception in 2011, will continue to provide creative direction and support the brand’s long-term vision.
With Comic Con India now present in eight cities including recent additions Kolkata, Ahmedabad, and Pune and having delivered its biggest season to date, the focus now shifts to scaling innovation, inclusivity, and immersive fan experiences.
“Johnson brings the perfect blend of vision, experience, and drive to take our labour of love to greater scale,” said Jatin, reflecting on his journey. “We look forward to supporting her and the team in an advisory capacity as they shape the future of fandom in India across cities.”
As a senior leader at Nodwin Gaming, Johnson has been instrumental in spearheading flagship IPs like Dreamhack India, BGMS, and the Cosplay Championships. Her appointment as CEO marks a strategic move to deepen fan engagement and expand Comic Con’s cultural footprint.
“Stepping into this role is both a privilege and a responsibility,” said Johnson. “We plan to grow this platform into newer cities, introduce newer formats, and create experiences that are more inclusive, dynamic, and reflective of India’s evolving pop culture identity.”
Nodwin Gaming co-founder & managing director Akshat Rathee said, “With Johnson at the helm, we’re looking forward to building on everything we’ve created so far expanding our reach, deepening fan engagement, and continuing to celebrate the communities that make Comic Con what it is.”
Since its debut in 2011, Comic Con India has grown into the country’s definitive pop culture festival uniting fans of comics, cosplay, gaming, anime, and beyond.
Animation
A new chapter unfolds as Lens Vault Studios debuts Bal Tanhaji
MUMBAI: History is getting a fresh rewrite this time with code, creativity and a longer arc in mind. Lens Vault Studios has announced its first original production, Bal Tanhaji, marking the official entry of the newly launched, tech-driven studio into India’s evolving entertainment landscape.
Arriving six years after the box-office success of Tanhaji: The Unsung Warrior, the new project expands the universe rather than revisiting familiar ground. Bal Tanhaji explores uncharted narrative territory, signalling a clear shift from one-off cinematic spectacles to long-format, world-building storytelling designed for digital-first audiences.
At the heart of this ambition is Prismix Studios, the in-house generative AI and technology arm powering the creative engine behind the show. The studio’s approach blends storytelling with next-generation tools, aiming to reimagine how Indian IPs are created, scaled and sustained beyond theatrical releases.
For Lens Vault Studios chairman Ajay Devgn the new venture represents a deliberate step beyond traditional cinema. The focus is firmly on building long-form intellectual properties across fiction and non-fiction, tailored to changing viewing habits and platform-led consumption. He said the studio intends to explore formats that remain largely untapped, while drawing on the team’s experience with large-scale cinematic storytelling.
Lens Vault Studios founder and CEO Danish Devgn echoed that sentiment, describing Bal Tanhaji as the studio’s first generative-AI-led IP and the starting point of a broader vision. The aim, he noted, is to carry forward the legacy of the Tanhaji universe while connecting with younger audiences through a blend of powerful narratives and emerging technologies.
With Bal Tanhaji, Lens Vault Studios is planting its flag early not just launching a show, but signalling a larger play for cinematic universes that live, grow and evolve across platforms. If this debut is any indication, the future of Indian storytelling may be as much about imagination as it is about innovation.







