Hindi
Several film personalities to feature in Samanvay Festival of Indian Languages
Five National film award winners and one Oscar awardee are among the speakers at the third edition of the India Habitat Centre (IHC) Indian Languages’ Festival ‘Samanvay’ being held from 24 to 27 October.
This year the festival’s theme is ‘Jodti Zubanein, Judti Zubanein: Language Connections’. Spread over four days, the festival would also have seven Padma Shri awardees, twelve Sahitya Akademi recipients, and a Padma Bhushan awardee. Twenty languages and dialects would be featured at Samanvay 2013.
‘Samanvay’ is a platform for bringing together expressions of human thought in the varied and diverse cultural contexts that have been nurtured and have flourished in many languages spoken in our cultural milieu. These conversations amongst brilliant and well-known writers will seek to bring to our audiences the sparkle of multilingual expressions and their inspirations.
Participants from the world of entertainment include Gulzar, Jerry Pinto, Ketan Mehta, Mahesh Bhatt, Piyush Mishra, and Sanjay Kak.
Samanvay 2013 is about connections between languages and the connections languages make: Jodti Zubanein, Judti Zubanein. This is a continuum of the themes that defined the first two editions of the festival; the inaugural an exercise in understanding the notion of the Indian-ness of the various literatures of the country, the second a celebration of the multi-faceted interaction between languages and dialects. It is not only about listeners, readers and authors; it is also about the ethics and ethos of connecting through a language.
There will be conversations around oral literature, media, and translations, along with poetry performances, folk art, stand-up comedy, theatre and cultural evenings. Beyond the language specific sessions, we cover some of the issues that have shaped our intellectual and social life in recent times: sessions on civil society, activism, dalit and women writing, alternate voices from literature, cinema, radio, publishing, gender violence, aspirations, dreams and voices of the marginalized, and above all the threats of a new form of patriotism that treats itself as a religion.
Announcing the festival, Samanvay Festival Director Raj Liberhan said, “For us at the India Habitat Centre, Samanvay is not an event but a cause. All of us in this country find ways of translating our thoughts into words. Samanvay is a multilingual platform to debate, share and ideate on issues affecting us.”
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
