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Salman’s Sher Khan to release in Eid next year

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MUMBAI: Not to give up his claim of a release during the time of Eid, Salman Khan has finalised that his brother Sohail Khan‘s upcoming film Sher Khan would release in Eid 2013.

A few days ago, there were reports that Akshay Kumar‘s Once Upon A Time In Mumbai 2 would be the only 2013 Eid release. This means that Salman Khan would lock horns with Akshay Kumar during the Muslim festive time next year.

Said director Sohail Khan, “I start shooting Sher Khan from January 2013 next and I start casting and finalising locations from next month. It‘s God‘s decree, After Tiger, Bhai is destined to play Sher. We‘re going ahead with the release of Sher Khan during Eid 2013.”

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The project would be different from Dabangg and Ek Tha Tiger and will have more special effects than stunts. Said an insider that more than Salman‘s stunts there will be lots of special-effects in the film. And that‘s why Sher Khan would take longer than usual in the post-production.”

But Khan is very clear on this. Sher Khan would have to be ready for Eid, come what may,” the source added.

As per reports Angela Johnson and Priyanka Chopra are in talks for the film.

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Kridhan Infra enters film production with AI-led feature film

Infra firm debuts AI-powered film marking RSS centenary

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MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.

With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.

The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.

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For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.

The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.

India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.

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“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”

From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.

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