Hindi
Real life-based, fiction & sequel to hit — hardly get average biz
“Sachin: A Billion Dreams” opened with fairly decent collections. It could be because of the fact that he is an icon and that the cricket fever is in the air with the IPL just having got over even as the Champions Trophy is slated to commence come 1 June.
The film has not been dramatised and that limits its appeal to those who are not cricket buffs. For example, the added spice of the two romance stories in Dhoni’s life added to the humane side of the protagonist’s character in M S Dhoni: The Untold Story. Here, though you are told that Sachin and Anjali’s romance lasted four years before they decided to tie the knot, there is no romance depicted on screen.
As the film proceeds, it is as much about the rise of the Indian cricket in the last 20 or so years, as it is about the ups and downs in Sachin’s cricketing career.
The film collected a little over seven crore on day one while the rise on Saturday was negligible. The film did its best on Sunday by collecting around nine crore to end its first weekend with Rs 23.4 crore.
* “Hindi Medium,” following much appreciation and a positive word of mouth, has gone on to become a hit even as it entered its second week. This small budget film kept improving its collections as the week progressed and even managed to collect better figures on its eighth day compared to first.
The film collected more in the rest of the week than it did in its opening weekend which is a rare feat nowadays. The film collected Rs 23.5 crore for the opening week and is reported to be holding well through its second weekend.
* “Half Girlfriend” failed to appeal to the youth which it was expected to draw. The rich girl poor boy old-fashioned angle of the story, indifferently treated, had little to hold the interest of the viewer. The film dropped during the week day to end its first week with a total of Rs 44. 8 crore. The price the film’s domestic rights have been acquired at, will lead to a shortfall in the recovery of over Rs 10 crore.
* “Meri Pyaari Bindu” emerged as an average film. Being a YRF film sans a price tag but enjoying YRF brand equity, it stands to earn little something for the company and all of that from the domestic theatrical exploitation. The film’s collection hovers around Rs 10 crore mark.
* “Sarkar” failed miserably. Failing to provide any variety or novelty from its earlier two versions nor any continuity or link to the previous stories, it takes the viewer for granted and pays for it. The film collected around Rs 50 lakh in its second week to take its two week total to Rs 6.7 crore.
* “Bahubali 2: The Conclusion” (Hindi-Dubbed) continues with its winning run, setting records in the process. The film collected Rs 29.4 crore in its fourth week to take its four week total to Rs 478.9 crore.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
