Hindi
Raj Kapoor retrospective at MoMA
MUMBAI: As part of a retrospective it has organised of Raj Kapoor, the New York-based Museum of Modern Art (MoMA) will showcase eight classics of the legendary actor, director-producer. The retrospective, which will roll from 6 January, will go on till 16 January.
Presented in 35 mm prints, ‘Raj Kapoor and the Golden Age of Indian Cinema‘ offers an introduction to one of the most ravishing and influential periods of world cinema.
The exhibition is curetted by Noah Cowan, Artistic Director, TIFF Bell Lightbox, and organised by TIFF, IIFA, and RK Films, with the support of the Government of Ontario. It is organised for MoMA by Joshua Siegel, Associate Curator, Department of Film, The Museum of Modern Art, MoMA said in a statement.
Largely unknown in North America, except to filmgoers of South Asian descent, Kapoor is revered not only in India but also throughout the former Soviet Union, the Middle East and beyond.
Kapoor founded RK Films in 1948, and it became the most important Hindi studio of the post-Independence era-and the one most commonly associated with the nebulous and often misunderstood expression Bollywood.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
