Hindi
Preity Zinta’s Ishkq In Paris to premier on 24 May
MUMBAI: Preity Zinta’s debut as a producer Ishkq In Paris directed by Prem Raj Soni’s will be releasing on 24 May. The movie is a romantic comedy starring Zinta in the female lead role and television actor Rhehan Malliek (earlier Gaurav Chanana) who starred in Star Plus’ medical drama Sanjeevani. B4U Pictures is responsible for the film’s overseas distribution.
Ishkq in Paris is a light hearted romantic comedy with lots of humour, style and fun! Set in the city of romance Paris, the film sees the big-screen comeback of Preity Zinta in a chic and witty role.
The story follows Akash (Malliek) and Ishkq (Zinta), two complete strangers, after having met on a train from Rome to Paris, end up spending the evening together in the romantic city. However, owing to a ‘no baggage’ pact set by Ishkq, the two part ways the next morning without a proper goodbye. Ishkq, being the strong-headed independent girl, moves on, while Akash ends up falling for the girl he spent the evening with. They cross paths once again in Paris but will there be ‘Ishkq In Paris’?
With a focus on fate, love and ideals, Ishkq in Paris brings back the essence of romance to Bollywood and also features a guest appearance by Salman Khan. With the trailer already going viral, the release is long awaited, and the film is set to be a summer hit.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
