I&B Ministry
Prasar Bharati sells four MPEG-4 slots for Rs 66 lakh
MUMBAI: Prasar Bharati has sold four DD Free Dish MPEG 4 slots on pro-rata basis for the period from 1 February 2020 to 14 March 2020 to four channels for Rs 66 lakh. The channels are Samay (Hindi News), 9X Jalwa (Hindi Music), Sangeet Bangla (Bangla Music) and JK 24×7 News (Hindi News).
Bidding in the e-auction of MPEG-4 slots was open to all genres (language) channels at a reserve price of Rs 16,50,000.
On 10 January, Prasar Bharati had invited application from the channels licensed by the ministry of information and broadcasting. International public broadcasters licensed/registered by the Ministry of I&B were also allowed to participate in the e-auction.
The public broadcaster has instructed that the allotted channels to pay the amount in two installments along with the carriage fee and applicable GST. The channel will have to pay the first installment in advance by 30 January 2020 i.e before placement of channel on DD Free Dish DTH Platform and second installment to be payable by 27 February 2020 after adjusting the participation fee amount.
In November 2019, it had sold MPEG-2 slots of DD Free Dish on pro-rata basis for the period from 1 December 2019 to 29 February 2020 to eight channels for approx Rs 18.9 crore. The channels were ABZY Cool in Movies genre (Hindi) under bucket A; Showbox in Music genre (Hindi) under bucket B; Ganga Biskope in Movies genre (Bhojpuri) under bucket B; WOW in Music genre (Hindi) under bucket B; TV9 Bharatvarsh News genre (Hindi) under C; ABP Ganga in genre (Hindi) under bucket C; Zee Punjabi in others (PUnjabi) under bucket D and MR TV in others (Marathi) under Bucket D. For MPEG 2 slot the pubcaster had reserved the starting price of bucket A for Rs 3.11 crore; bucket B for Rs 2.73 crore; bucket C for Rs 2.23 crore and bucket D for Rs 1.55 crore.
I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI:Â The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
