iWorld
OTT platforms may see scarcity in long-format premium content in H1- FY22
KOLKATA: It may be the heyday of over-the-top (OTT) platforms but it’s not like the pandemic will not have any impact on their operations. While everything appears great on the surface, the constraints of shooting large-scale projects are going to affect the pipeline of long-format premium originals in the first half of FY22, according to executives who spoke at ‘Future of OTT content and its evolution in India’, hosted by Indiantelevision.com. Being cautious of the situation, the platforms are going to evolve content formats which can be shot amid all the constraints.
MX Player chief content officer Gautam Talwar accepted that it would run out of shows which were shot before lockdown by the end of the year. The platform is trying to see if it can change the narrative and also trying to explore if there are shows which can be produced within the given constraints. He added that it would look at smaller shows which can be put together in fewer locations with fewer artists, but with interesting stories. Talwar emphasised that OTT platforms have to adapt to the environment. Hence, MX Player will get into the shoot with smaller shows.
The other players also agreed that there will be a lag in long-format premium content at least for the first half of next financial year.
Arre co-founder and CEO Ajay Chacko said that the impact of the pandemic will actually be felt in the next financial year from a release perspective. He stated that six months of not being able to shoot would definitely reflect on the content line up of FY 22. While asked if shooting in international locations is a viable idea, he clearly stated that would not be an economic model.
Hungama Originals executive producer Sanjeev Lamba agreed to his peers’ views but also highlighted that it also depends on what kind of business the platform is in. According to him, the way people are getting affected is going to be different.
“We believe in mixing up shows. We don’t believe in mega, large scale forever. For us, a small set of shows have worked really well. It’s actually the mass India that is growing for us constantly and mass India loves that. For us, the shoots have already started. We will start launching two-three originals month-on-month from November itself. The idea is to reverse the track of feeling the financial pinch in the Q1 of next FY,” said ALTBalaji marketing, analytics & direct revenue SVP Divya Dixit.
Eros Now content head Puja Rajadhyaksha said that the industry and the format will evolve with the situation. She added that Eros Now will also look at doing shorter format which can be shot in the next four-five months. Talwar added that the lag in long-format content would not impact users as there is a demand for all types of content with good stories.
iWorld
Samay Raina returns with Still Alive, confronts 2025 controversy in bold comeback special
Comeback set tackles controversy, blending humour with raw storytelling
MUMBAI: Samay Raina is set to release his new stand-up comedy special, Still Alive, on YouTube on April 7, 2026, marking a high-profile return following a turbulent year.
The trailer for the special dropped on April 5, offering a glimpse into what Raina describes as a raw and unfiltered set that leans as much on honesty as it does on humour.
Positioned as a comeback of sorts, Still Alive draws heavily from the controversy surrounding his show India’s Got Latent in early 2025. The episode led to legal trouble, multiple FIRs, and a lengthy six-hour interrogation by the Maharashtra Cyber Cell, placing the comedian at the centre of intense public scrutiny.
Rather than sidestep the episode, Raina leans into it. The special reflects on the fallout and his personal journey through it, blending observational comedy with moments of emotional candour. Early audience feedback from live performances suggests the tone is less about rapid-fire punchlines and more about storytelling with bite.
The special was filmed during his global Still Alive & Unfiltered tour, which ran from August 2025 to early 2026. The tour saw Raina perform across major international venues, including the Madison Square Garden Theatre in New York, a milestone that places him among the youngest Indian comedians to take that stage.
The title itself signals resilience. “Still Alive” is a nod to navigating both legal and public backlash while choosing to remain unapologetically authentic, a theme that appears to anchor the set.
With the special set to premiere online, all eyes are now on how audiences respond to a performance that promises equal parts reflection and wit. For Raina, the message is clear. He is not just back, he is ready to be heard on his own terms.
