GECs
Other newspapers cannot be forced to give names of rival newspapers or channels
NEW DELHI: The Information and Broadcasting Ministry is of the view that Print and Electronic Media cannot be forced to take specific names of other newspapers and news channels they refer to in their news.
This has been stated by the Ministry in a letter to social activist Nutan Thakur who had made certain representations in this regard in the Lucknow Bench of the Allahabad High Court.
The Ministry said that Chairman of the Press Council is of the view that as per section 7 of the Press and Registration of Books Act 1867, the editor is the sole authority to decide the contents. Hence, it does not deem fit to lay rules making it mandatory to state the names of other newspapers being referred to and this decision shall be left to the Editor.
As regards need to keep record of their newspapers for a definite period, the Ministry said under section 25(1) of the proposed Press and Registration of Books and Publications Bill, there is a provision to deliver a copy of the newspaper as and when demanded by the Press Registrar General.
MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.
The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.
While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.
Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.
The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.
As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.
