Hindi
Oscar winning director Ang Lee to visit India for ‘Life Of Pi’
NEW DELHI: Academy Award Winning Director Ang Lee is coming to India as part of a grand promotional tour for 20th Century Fox’s Oscar buzz generating festive release ‘Life Of Pi’ directed by him.
Fox Star Studios have earlier hosted eminent personalities such as Danny Boyle, Hugh Jackman and Titanic‘s Jon Landau in India.
India will be the first country to be visited by Lee – the film has an Indian angle since it stars Suraj Sharma, Tabu and Irrfan Khan.
Lee will also be presenting exclusive and unseen 20 minutes of the film in stunning 3D to media and prominent Bollywood personalities to showcase the extraordinary experience of watching the celebrated novel come to life onscreen.
The man behind some of the most prestigious and acclaimed films such as Sense and Sensibility (1995), Crouching Tiger, Hidden Dragon (2000, which won the Academy Award for Best Foreign Language Film), Hulk (2003), and Brokeback Mountain (for which he won an Academy Award for Best Director), Ang Lee will visit Mumbai and Chennai along with David Lee (Co-Producer of Life Of Pi), main lead and debutante Suraj Sharma, Tabu and Irrfan Khan.
Fox Star Studios CEO Vijay Singh said, “Ang is scheduled to arrive in India on 28 October 2012 for a two-city Mumbai-Chennai visit where he will also showcase exclusive visuals from the film for a select audience. This visit will also kick start the extravagant scale of activities planned, building on the excitement and anticipation that has been growing for ‘Life of Pi‘ since its trailer launch. Not only is it a stunning showcase of the immense acting talent and breathtaking locales of our country, it is also one of those rare works of cinema that transcends boundaries with its universal appeal.”
‘Life of Pi’ 3D release is scheduled on 23 November in English, Hindi, Tamil and Telugu.
The film showcases stunning scenes with Sharma, and veterans Tabu and Khan in the film along with breathtakingly vibrant colours of Pondicherry and Munnar where the film was extensively shot.
From the Oscar winning director, Life of Pi 3D is the visually stunning tale of a boy who is adrift at sea in a lifeboat with a Bengal tiger after his family is drowned in a shipwreck. The Indian appeal of Ang Lee’s magnum opus is visible with every scene of the film right from the star cast to the locales and magical elements that combine to make this a special festive treat for fans!
The theatrical promo also featured the Indian stars, and the trailer immediately went viral with laudatory reactions pouring in on various social networking sites.
The film centers on Piscine Molitor Patel (Pi) who is raised in Pondicherry India with his family who run a zoo. They decide to immigrate to Canada, taking their animals along with them and set off on a huge freighter ship, steaming from India across the Pacific. But a terrible storm destroys the ship. The family and most of the animals perish. Pi survives, stranded on a lifeboat with several animals. Ultimately it is just Pi and a Bengal tiger who miraculously survive 227 days at sea.
Lee has shot ‘Life of Pi’ in 3D, utilising groundbreaking techniques to capture the story’s epic scope. India had much to rejoice when Lee chose 17-year-old newcomer Suraj Sharma to essay the role of Pi. Sharma lives with his mathematician parents in Delhi. He has no previous acting experience and was cast following an extensive, months-long search. Over 3000 young men auditioned for the part.
Not only is the film a global platform of Indian talent with its cast and crew, but some of India’s most scenic spots were tapped for the film, a first of its kind for a Hollywood film. Amidst racks of fabulous saris and colorful fabrics, many of which were used for the vibrant market scenes filmed in Pondicherry, India, where Pi spent his early years, there is a rich multicultural depth to the movie. One can see the countryside of Southern India in the hillside town of Munnar along with the French elegance of Pondicherry on 3D!
The film is based on Yann Martel’s book, one of the biggest publishing events of the past decade. The book has sold over seven million copies worldwide and continues to sell over 1,000 copies per week and has won the prestigious Mann Booker Prize, and was a New York Times bestseller for over a year.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
