Hindi
Nominations for Oscars 2022 announced: Here is the full list
Los Angeles: The Academy of Motion Picture Arts and Sciences on Tuesday announced nominations for the 94th annual Academy Awards which included films in a range of genres.
“The Power of the Dog” led among nominated films with 12 nods. The drama’s director, Jane Campion, made history by becoming the first woman to be nominated more than once for best director. The acclaimed New Zealand filmmaker was previously nominated for the 1993 drama, “The Piano” (Last year, “Nomadland” director Chloé Zhao became just the second woman to ever win the award.)
The nine other best picture contenders are “Belfast,” “Coda,” “Don’t Look Up,” “Drive My Car,” “Dune,” “King Richard,” “Licorice Pizza,” “Nightmare Alley,” and “West Side Story.”
Fellow directing nominee Steven Spielberg also set a new record. As the producer of “West Side Story,” which earned a total of seven nominations, Spielberg has now produced 11 films nominated for best picture, a new record for the Oscars.
Denzel Washington extended the record he already holds as the most nominated Black actor, earning his tenth Oscar nomination for his performance in “The Tragedy of Macbeth.” In addition, Will Smith scored his third lead actor Oscar nomination for “King Richard,” a portrait of tennis stars Serena and Venus Williams’s ambitious father. Smith was previously nominated for his roles in “Ali” and “The Pursuit of Happyness.”
The other performers recognised in the Best Actor category are Javier Bardem (“Being the Ricardos”), Benedict Cumberbatch (“The Power of the Dog”) and Andrew Garfield (“tick, tick…BOOM!”).
The contenders vying for the best actress statuette are Jessica Chastain (“The Eyes of Tammy Faye”), Olivia Colman (“The Lost Daughter”), Penélope Cruz (“Parallel Mothers”), Nicole Kidman (“Being the Ricardos”) and Kristen Stewart (“Spencer”).
Netflix has conquered the world of streaming video but the company is still chasing Hollywood’s most coveted prize: The best picture award. However, the streaming giant has a good shot to win this year with “The Power of the Dog. “The company also distributed fellow best picture nominee “Don’t Look Up” as well as the Lin-Manuel Miranda-directed musical “tick, tick…BOOM!”
As the above-listed contenders woke up to some welcome news Tuesday morning, other hopefuls were not so fortunate. Notable Oscar snubs this year included:
Ridley Scott’s “House of Gucci” which failed to earn a Best Picture nod along with stars Lady Gaga, Adam Driver and supporting player Jared Leto who were all locked out of the acting races — potential casualties of the film’s mixed-to-negative reviews and so-so box-office performance.
“West Side Story” breakout star Rachel Zegler, who won a Golden Globe last month for her performance as María Vasquez, got shut out of the best actress category.
“Dune” director Denis Villeneuve, who was previously nominated for the sci-fi drama “Arrival” (2016), failed to pick up the best director nomination, although “Dune” racked up an impressive 10 nods.
Wes Anderson’s “The French Dispatch,” Rebecca Hall’s “Passing” and Asghar Farhadi’s “A Hero” — three of the year’s most critically venerated films — walked away empty-handed. While Cooper Hoffman and Alana Haim, the two young stars of Paul Thomas Anderson’s “Licorice Pizza” fell short of acting honors.
“Spider-Man: No Way Home” shattered box office records but failed to earn a nod for the Best Picture category.
The Academy Awards ceremony is set to air live from Hollywood’s Dolby Theatre on ABC Sunday, March 27. See the list of nominees below.
Best Picture
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story
Best Actress
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penélope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Best Actor
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick, Tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Best Supporting Actress
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Best Supporting Actor
Ciarán Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Best Director
Kenneth Branagh, Belfast
Ryûsuke Hamaguchi, Drive My Car
Paul Thomas Anderson, Licorice Pizza
Jane Campion, The Power of the Dog
Steven Spielberg, West Side Story
Best Adapted Screenplay
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
Best Original Screenplay
Belfast
Don’t Look Up
King Richard
Licorice Pizza
The Worst Person in the World
Best Cinematography
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Best Animated Film
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Best Original Score
Don’t Look Up, Nicholas Britell
Dune, Hans Zimmer
Encanto, Germaine Franco
Parallel Mothers, Alberto Iglesias
The Power of the Dog, Jonny Greenwood
Best Original Song
“Be Alive” from King Richard, Beyoncé Knowles-Carter, Dixson
“Dos Oruguitas” from Encanto, Lin-Manuel Miranda
“Down to Joy” from Belfast, Van Morrison
“No Time to Die” from No Time to Die, Billie Eilish, Finneas O’Connell
“Somehow You Do” from Four Good Days, Diane Warren
Best Costume Design
Cruella
Cyrano
Dune
Nightmare Alley
West Side Story
Best Makeup & Hairstyling
Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Best Editing
Don’t Look Up
Dune
King Richard
The Power of the Dog
Tick, Tick… Boom!
Best Visual Effects
Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
Best Production Design
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Best Sound
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
Best International Film
Drive My Car
Flee
The Hand of God
Lunana: A Yak in the Classroom
The Worst Person in the World
Best Documentary
Ascension
Attica
Flee
Summer of Soul
Writing with Fire
Best Documentary Short Subject
Audible
Lead Me Home
The Queen of Basketball
Three Songs for Benazir
When We Were Bullies
Best Animated Short Film
Affairs of the Art
Bestia
Boxballet
Robin Robin
The Windshield Wiper
Best Live-Action Short Film
Ala Kachuu — Take and Run
The Dress
The Long Goodbye
On My Mind
Please Hold
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
