Hindi
No audience, No show status this week
MUMBAI: With five releases last Friday, most without face value, it was ‘no audience, no show’ status at many cinema houses. Wake Up India, Delhi Gang, Ishk Actually and Sooper Se Ooper were the ones to suffer.
Micky Virus is the one that survived the opening weekend with figures of Rs 4.25 crore. The going will be tough as the new week starts. This film also marked the debut of Manish Paul on the big screen.
Boss collects Rs 47.2 crore in its first week (Nine days). The Akshay Kumar and Sonakshi Sinha starrer film released on 16 October and
Shahid has collected Rs 3.1 crore in its first week.
War Chhod Na Yaar has added Rs 45 lakh in its second week to take its two week total to Rs 6.7 crore.
Exhibition trade is facing its dullest period of the year as pre-Diwali is always a bad time for new releases. Theatres have very poor footfalls and are now resting their hopes on the Rakesh Roshan – Hrithik Roshan brand, Krrish 3. Exhibitors have paid high MG for this film and anticipation is high.
Hindi
Kridhan Infra enters film production with AI-led feature film
Infra firm debuts AI-powered film marking RSS centenary
MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.
With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.
The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.
For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.
The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.
India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.
“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”
From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.
