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NGC launches a global music broadband channel

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MUMBAI: National Geographic in the US has created a music initiative that offers consumers the soundtrack to the world, from traditional roots music to unexpected hybrids from the furthest reaches of the globe.

National Geographic World Music (worldmusic.nationalgeographic.com) showcases international artists and musical performances in an interactive and immersive online environment.

In supporting National Geographic’s (NGC) core aim of inspiring people to care about the planet, the site uses the language of music as a medium to tell the stories of the world.

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From Morocco to Indonesia, New Zealand to Sweden, Cuba to the US and Senegal, National Geographic World Music offers fans the chance to discover music by different artists, regions and genres. The site also provides rich context for music through NGC’s assets that include videos, maps, photos and features from its magazines, and other editorial platforms. Searches are enabled via artist, genre, country and region.

Featured artists include:

– Tinariwen: These Malian guitar-slingers are former Tuareg rebels who put down their guns, picked up guitars and changed the face of African rock ’n’ roll.

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– Sidestepper: This Anglo-Colombian collaboration is a mash-up of 21st-century salsa, cumbia, vallenato and drum ’n’ bass, direct from the developing world.

– Seu Jorge: This Brazilian crooner made waves when he gave David Bowie classics a smooth, samba makeover.

Musician David Beal has been working on the launch of National Geographic World Music for the past year. He says, “People come to National Geographic to read books and magazines, to watch films and television, to shop and to explore nationalgeographic.com, but they’ve never truly had a pure listening experience, until now.

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“By exposing these incredible artists to the National Geographic audience, they’ll hopefully begin to find a larger audience and receive the recognition they deserve.”

National Geographic World Music is programmed by music experts under the supervision of Tom Pryor, former editor of Global Rhythm magazine. The Web site will feature the best artists, innovative music and emerging trends worldwide, allowing users a comprehensive experience. It will also feature guest DJs and their recommended play lists. With partner Calabash, National Geographic World Music makes thousands of tracks available for discovery as well as for purchase at 99 cents per MP3 download. Other strategic partners include LinkTV for video, and Afropop Worldwide and Global Rhythm for editorial and curatorial content.

National Geographic digital media VP, content development and operations Betsy Scolnik says, “World music is a natural extension of nationalgeographic.com’s rich multimedia experience that entertains, informs and engages consumers who are as passionate about the world’s cultures and the environment as we are. World music fans around the world will be able to listen and learn in one digital experience.”

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News Broadcasting

News TV viewership jumps 33 per cent as West Asia war draws audiences

BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup

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NEW DELHI: Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.

According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.

The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.

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The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.

Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.

The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.

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While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.

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