Hindi
New Hindi film to have world premiere at Venice International Film Festival
NEW DELHI: The Hindi film ‘Mukti Bhavan’ (Hotel Salvation) by Shubhashish Bhutiani is to have its world premiere at the Venice International Film Festival on 2 September.
After receiving the Orizzonti Prize for Best Short Film for his short ‘Kush’,Bhutiani is back to Venice with his feature debut ‘Mukti Bhawan’.
The Festival is being held from 31 August to 10 September 2016 and this film will have three public and delegate screenings on 2 and 3 September 2016 apart from one web streaming.
The 103-minute film stars Adil Hussain (Life of Pi), Lalit Behl, Geetanjali Kulkarni.Palomi Ghosh, Navnindra Behl, and Anil K Rastogi.
Shubhashish Bhutiani will be in Venice along with producer Sanjay Bhutiani and actor Adil Hussain.
When a 77 year old man, Daya, wakes up from a strange nightmare, he knows his time is up and he must get to Varanasi immediately in hope of dying there to attain salvation. His dutiful son, Rajiv, is left with no choice but to drop everything and make the journey with his stubborn father, leaving behind his wife and daughter. The two of them check into Mukti Bhawan/Hotel Salvation. Rajiv finds himself having to live and take care of his father for the first time in his life. But he finds himself torn, not knowing what he must do to keep his life together.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
