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I&B Ministry

National Cine Museum only if it attracts aficionados: House panel

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NEW DELHI: Noting that the National Museum of Indian Cinema in Mumbai is expected to be completed by July this year, a Parliament Committee wants the Information and Broadcasting Ministry to get a response and feedback of the industry as to how far it is successful in attracting film fraternity and also those interested in films, through exhibitions, workshops, seminars and interactive sessions.

The Museum has been built in the premises of the Films Division complex on C D Deshmukh (Peddar) Road.

The Parliamentary Standing Committee on Information Technology which also examines issues relating to MIB noted that an amount of Rs 286.9 million had been allocated under the Scheme of the Museum which was increased to Rs 343.9 million at revised estimate stage but the Ministry incurred an expenditure of Rs 286.9 million.

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The Committee was informed that the project is near completion and the Ministry was hopeful of utilizing the balance funds during the current financial year 2016-17.

The budget for the year 2017-18 under the Scheme has been reduced as the construction work has already been completed and curation is underway.

A historical building Gulshan Mahal has been renovated in the first phase as part of the National Museum project and the second phase of the Museum consisting of two Cinema Halls, Museum office, Exhibition spaces and Food Court are coming up in the new building block.

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When operational, the NMIC will provide a store house of information and help film makers, film students, enthusiasts and critics to know and evaluate the development of cinema as the medium of artistic expression.

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Avoid ‘slippages’ of film sector budget utilisation, House panel recommends

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I&B Ministry

CBFC speeds up film certification; average approval time cut to 22 days

Over 71,900 films cleared in five years as digital system shortens approval timelines

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MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.

Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.

Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.

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Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.

Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.

The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.

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Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.

Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.

With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.

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