Hindi
MSM enters into association with KEPL to produce ‘Mango’
NEW DELHI: Bajatey Raho, produced by Multi Screen Media in a co-production with Eros International, is the first of a slew of movies this year through the motion pictures division of MSM.
The film is being released on 26 July which has been co-produced with Eros International. It is a revenge comedy starring Dolly Ahluwalia, Vinay Pathak, RanvirShorey, RaviKissen and Vishakha Singh.
The next movie being produced in association with KEPL is titled Mango and has been directed by Abbas Tyrewala. It will star Rannvijay, Harman, Monali Thakur, Chandan Roy Sanyal and Swara Bhaskar.
Mango also marks the return of KEPL with a romantic comedy after Saathiya. Set in the heart of Goa, Mango is all set to recreate the same magic that Abbas created in his directorial debut movie, Jaane Tu Ya Jaane Na. The cast of the movie includes Rannvijay, the winner of Roadies and an accomplished host who has made his mark in the film industry with his Hindi and Punjabi films. It also stars the critically acclaimed Chandan Roy Sanyal, best remembered for his role in Vishal Bharadwaj‘s Kaminey.
Based in the calm atmosphere of modern Goa in the monsoons, this frenzied film traces one night in the life of five manic individuals, whose stories intertwine in a completely unlikely manner. It is a story of love, life, friendship, relationships and betrayal. Primary, secondary and even incidental romances share the spotlight here with the main characters where while some chase love, the others chase money here.
MSM CEO Man Jit Singh said, “We realise that there is a huge untapped market in the motion picture business and the sector has immense growth potential. We have the expertise and experience in this domain and hence it was a logical extension for us. We plan to produce movies across different genres.”
MSM COO NP Singh added: “Mango is a rom-com with a twist. Shot in the beautiful locales of Goa the film captures the tale of five youngsters whose lives are entwined by destiny. Mango is a young film and will appeal to masses. It will break the clutter through its refreshing content and fresh casting.”
Bobby Bedi from KEPL added, “One of my most successful films was my first foray into mainstream Bollywood – that is Saathiya – a rom-com with a difference. Today I re-enter the same space with some of my best colleagues – Abbas, who wrote Maqbool, Aradhana, who designed Fire, Allan – action director for Bandit Queen and Mulchand who has lit every single work I have ever done. Together we are producing what we believe is a really funny and fast paced film, deliciously called Mango”.
Tyrewala said, “I‘ve never had more fun making a movie”
Mango, with its engaging storyline portrays lives of five youngsters in the city of Goa. But, soon things are about to change in their lives.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
