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Moolah to fund traditional movie fare unlikely

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MUMBAI: Money and movies. That was Frame’s agenda post lunch. Seminar held- Funds and Projects – had a killer combination, but the matter churned out has been a well-documented fare.

While the traditional method of funding the cinema is unable to cope up with the demands, the corporate and the financial institutes have thus far met with a little luck. Looking at its ever-growing pie the industry is now looking at the greener pastures abroad. While it isn’t a taboo, but the financial sources are a little wary. Their demands: transparency and great raw material.

While the first speaker Rabo International, media and entertainment head Alexander Gelderman opined that the while the avenues abroad are opening up, it isn’t so for the traditional fare. The song-dance-romance movies churned out by the industry showcase India’s culture and tradition and they should be a main stay. Trying to draw out the parallel between his language Dutch and India’s Hindi, he said that both the industry need to preserve the culture and therefore stick to the crossovers as strictly experimental fare and not otherwise.

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While the second speaker, UK film Council International, International department director Clare Wise had quite a few wise anecdotes to share. She spoke how hard it is as a producer to make and hunt finance for films. Like Gelderman, she was also wary of the typical Hindi movie fare’s performance outside India unless it is for the NRI market. But she tried to emphasize that legal constraints need to be taken into consideration and even India’s market needs to look carefully at its legal procedures and the effort should be made to encourage the film industry within the country.

Last speaker for the session, Peacefulfish CEO Thierry Baujard offered that need of the time is to look at multiple co-production deals. It isn’t such a bad idea to look at the markets abroad, in Europe, UK, but Indian film industry need to look at the their own product very carefully.

Despite the seminar discussing the possibilities of financing from sources abroad, what turned out to be the final word was the need to get self-reliant.

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Like the host Ambit Corporate Finance Pvt Ltd, managing director Ashok Wadhwa put it the need of the hour is that the producers and the artiste take responsibility of their product. Looking at the dismal performance of the industry, what the corporate and the financial institutes need to have is passion for films apart from the business sense.

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News Broadcasting

News TV viewership jumps 33 per cent as West Asia war draws audiences

BARC Week 8 data shows news share rising to 8 per cent despite T20 World Cup

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NEW DELHI: Even as individual television news channel ratings remain under a temporary pause, the genre itself is seeing a clear surge in audience attention.

According to the latest data from Broadcast Audience Research Council India, television news recorded a 33 per cent jump in genre share in Week 8 of 2026, covering February 28 to March 6.

The news genre accounted for 8 per cent of total television viewership during the week, up from 6 per cent the previous week. The spike in attention coincided with escalating geopolitical tensions involving the United States, Israel and Iran, which have kept global headlines firmly fixed on West Asia.

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The rise is notable because it came at a time when cricket was dominating television screens. The high-stakes stages of the ICC Men’s T20 World Cup, including the Super 8 fixtures and semi-finals, were being broadcast during the same period.

Despite the cricket frenzy, viewers appeared to be toggling between sport and global affairs, boosting the overall share of news programming.

The surge in genre share comes even as the government has enforced a one-month pause on publishing ratings for individual news channels. The move followed regulatory scrutiny of the television ratings ecosystem.

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While channel-level rankings remain temporarily out of sight, the genre-level data suggests that when global tensions escalate, audiences continue to turn to television news for real-time updates.

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