iWorld
Mobile content delivery platform DVB-H TV to grow in importance in Europe
MUMBAI: Digital video broadcasting (DVB-H), the standard used for bringing broadcast services to handheld receivers, is set to gain momentum in Europe by 2008.
With the full-fledged rollout of DVB-H mobile television (TV), the current role of downloaded video content (downloads and streaming) in providing access to TV and other forms of video entertainment is likely to change.
Frost & Sullivan analyst Pranab Mookken says, “By 2011, video services like downloading would be used as a sales channel for specific video content while DVB-H takes over as the primary channel for mobile video services,”
Manufacturers will launch DVB-H mobile TV on a trial basis by 2008 after dealing with ambiguities regarding spectrum allocation. Meanwhile, operators are likely to deploy stopgap solutions involving multicasting technologies in addition to using existing cellular networks and video services to introduce TV in Europe.
Notwithstanding this delay, the DVB-H standard is likely to witness high adoption rates in Europe. It was developed by the digital video broadcast (DVB) project, an industry-led consortium of over 260 professionals from over thirty-five countries. The project had already established a terrestrial transmission system for Europe in the form of DVB-T, but the industry still lacked a standard that could support handheld terminals.
CThe consortium developed DVB-H signals to meet the huge demand for such a standard. DVB-H currently has the ability to utilize existing DVB-T infrastructure, that is, it is backward compatible with DVB-T and its content is delivered in the form of Internet Protocol (IP) datacasts that are similar to that distributed on the Internet. This, along with the standards specification which ensure maximum conservation of handset/terminal battery power and thereby allay customer fears of running out of battery for communication purposes, will facilitate its adoption in Europe.
Moreover, mobile TV using DVB-H will be easy to use and will offer a better experience for its customers. This will automatically translate into increased viewership. The report notes that initially, companies will keep prices low, until business models, service offerings and quality levels become satisfactory. But by 2010, service providers might augment prices to anywhere between 7 Euros and 12 Euros per month.
Mokken adds, “The DVB-H mobile TV market is set to grow at an explosive rate and touch Euro 6.80 billion in revenues by 2011. The mobile average revenue per user (ARPU) is also likely to rise as prices increase.” The biggest beneficiaries of this development will undoubtedly be the terminal providers that will gain tremenously from the revenue influx prompted by the need for compatible handsets. Service providers, especially mobile operators, will see a rise in their ARPU through the deployment of value-added services (VASs) in the form of DVB-H mobile TV. The channel will also help in making operators’ retention and loyalty strategies more intimate and effective.
iWorld
Why Peaky Blinders is one of television’s biggest hits that still deserves more attention
Six seasons, multiple awards and the release of Peaky Blinders: The Immortal Man bring the Shelby saga back into the spotlight
In the crowded universe of streaming content, only a handful of shows manage to leave a lasting cultural footprint. Peaky Blinders is overwhelmingly considered one of the biggest global hits of the past decade. Yet many viewers still haven’t fully explored the dark, gripping world of the Shelby family.
Originally produced for the UK’s BBC and later finding a massive global audience through Netflix, the series quietly grew from a British period drama into a worldwide streaming phenomenon.
Created by Steven Knight, the show follows the rise of the Shelby crime family in post-First World War Birmingham. What begins as a gritty street-gang story gradually expands into a sweeping narrative about ambition, politics, power and survival.
At the centre of the saga is Thomas Shelby, portrayed with extraordinary depth by Cillian Murphy. The casting of Murphy is widely regarded as perfect for the role. With piercing eyes, restrained dialogue and an almost hypnotic screen presence, he transforms Shelby into one of the most unforgettable characters in modern screen storytelling.
Murphy’s brilliance lies in his restraint. He rarely shouts or performs theatrically. Instead, a quiet stare, a calculated pause or a subtle shift in expression conveys the emotional storms within the character. Beneath the ruthless gang leader is a war veteran carrying trauma, guilt and loneliness. Murphy captures this complexity with remarkable precision, making Thomas Shelby both terrifying and deeply human.
Beyond its central performance, Peaky Blinders stands out for its unfiltered portrayal of reality. The show does not romanticise crime. Instead, it exposes the harsh social conditions of early 20th-century Britain, from poverty and class struggle to political extremism and the psychological scars left by war.
The series also presents powerful female characters who hold their own within the Shelby empire. Polly Gray, played by Helen McCrory, is the strategic backbone of the family and one of the most formidable figures in the story. Women in the series shape decisions, influence power structures and challenge the rigid social norms of the time.
Across six seasons, the narrative grows dramatically in scale. What begins in the smoky streets of Birmingham evolves into a story involving political conspiracies, fascism and international criminal networks.
The series has also earned significant critical acclaim. It won the BAFTA Television Award for Best Drama Series in 2018 and multiple National Television Awards for Best Drama, cementing its reputation as one of Britain’s most celebrated modern shows.
Another defining feature of the series is its iconic music. The show’s opening theme, Red Right Hand by Nick Cave and the Bad Seeds, became instantly recognisable and widely associated with the Shelby universe. Combined with a powerful soundtrack featuring artists such as Arctic Monkeys and Radiohead, the music helped shape the show’s dark, stylish identity and became hugely popular among fans.
And the Shelby story is not over yet.
In fact, its legacy is unfolding right now. The long-awaited feature-length continuation, Peaky Blinders: The Immortal Man, was released on March 6, 2026, bringing the Shelby universe from streaming screens to cinemas and giving fans a new chapter in the saga.
For viewers who have not yet stepped into this world, the timing could not be better.
Six gripping seasons are ready to binge on Netflix. A new film has just arrived in theatres. And at the heart of it all stands one of the most magnetic performances in modern drama by Cillian Murphy.
So if Peaky Blinders has been sitting on your watchlist for years, this weekend is your moment.
So, by order of the Peaky fookin’ Blinders, consider this your cue to finally step into the ruthless world of Thomas Shelby. Pour yourself a drink, clear your schedule and press the play button. Because when the Peaky Blinders give an order, you listen.
