Hindi
MIFF 2012 opens in Mumbai, environmental filmmaker Mike Pandey gets V Shantaram Award
NEW DELHI: Veteran environmental filmmaker Mike Pandey from Delhi was today honoured with the prestigious V Shantaram Life Time Achievement Award of the Mumbai International Film Festival for shorts, documentaries and animation films – MIFF 2012 – which commenced this evening in the western metropolis.
The award carries a citation, a trophy and a cash prize of Rs 500,000. Instituted in 1996 in memory of India’s foremost film maker V Shantaram, the Life Time Achievement Award aims to recognise the multi-faceted contributions of an Indian for the documentary film movement.
The Award was presented to Pandey by Maharashtra Governor K Sankaranarayanan in the presence of Union Minister of State for Information and Broadcasting Chaudhury Mohan Jatua, veteran film historian Vijaya Mulay and popular Marathi actor Amrutha Khanvilkar.
MIFF, which is organised by the Films Division every alternate year, will showcase more than 101 documentary, short and animation films from 37 countries.
World renowned filmmaker John Bradbury of Australia, Japanese animation director/producer Sayoko Kinoshita, Austriancinematographer and Director Michael Glawogger, Bulgarian filmmaker Adela Peeva, Irish filmmaker Stefanie Dinkelbach, acclaimed film maker Kumar Shahni are attending the event taking place at NCPA which will conclude on 9 February with the presentation of 22 Awards including the Golden Conch Award for best films in International Competition, Indian Competition, best fiction, and best animation films.
Mike Pandey is one of India‘s foremost wildlife and environmental filmmakers with over 300 national and international awards. Several of his films, such as Shores of Silence, The Last Migration, Broken Wings and The Timeless Traveller have been directly instrumental in bringing about legislative changes to protect species such as whale sharks, elephants, vultures and horse-shoe crabs.
The Delhi based film maker Mike Pandey was born in Kenya and trained and educated in the UK and the USA. In 1994, he became the first Asian producer / director to win a Wildscreen Panda Award, also known as the Green Oscar, for his film The Last Migration – Wild Elephant Capture in Sarguja.
In 2000, his film Shores of Silence – Whale Sharks in India, won a ‘Green Oscar‘ for the second time. The film also led to the ban on the killing of whale sharks on Indian shores. This film has also won a National Award for Best Film in the "Exploration & Adventure" Category, 2005.
On October 2004, he did India proud once again by winning a Panda Award for the Third time for his film Vanishing Giants – a story of his passion and involvement with elephants. This film also led to the ban of cruel and outdated techniques of elephant capture in India.
The prestigious United Nations International Award For Outstanding Achievement In Global Conservation, the Prthvi Ratna was awarded to Mike at the Vatavaran Film Festival in November 2003, for his outstanding contribution towards generating awareness, which led to the conservation of a global heritage – the Whale Shark.
Mike Pandey’s Riverbank Studios has produced some of India‘s most popular programmes like Earth Matters, aired on Doordarshan national network for 13 years, so far reaching over 800 million viewers.
With over three decades of filmmaking experience, Mike Pandey has produced over 600 films. His powerful films are living proof of the difference a film can make in bringing about changes locally, nationally and globally.
The Festival opened with a Bamboo Symphony – ‘Mula Paadum Ravu’ – which is a unique Indian Folklore Fusion, founded by Unnikrishna Pakkanar of Thrissur, Kerala. It is based on the principle that music has its origin in nature and hence there is a need to develop an art form that is eco-friendly.
In a music industry that often rewards speed, spectacle, and instant recall, Navjot Ahuja’s journey feels refreshingly different. His story is not built on noise. It is built on patience, discipline, emotional honesty, and a quiet commitment to becoming better with every passing year. After 14 years of struggle, learning, performing, and writing, Navjot stands today as an artist whose success has not changed his centre. If anything, it has only made his purpose clearer.
For Navjot, music has never been about chasing fame alone. It has always been about expression. It is about writing more truthfully, singing more skillfully, understanding himself more deeply, and becoming a kinder human being in the process. That rare clarity is what gives his journey its beauty.
Where It All Began: A Writer Before a Singer
Indian singer and songwriter Navjot Ahuja’s musical journey began in the most familiar of places: school assemblies. But even then, what was growing inside him was not only the desire to sing. It was the need to write.
Long before he saw himself as a performer, he had already discovered the emotional release that writing offered him. For Navjot, words became the first true channel for feeling. Songwriting came before singing because writing was the only way he could let emotions flow through him fully. That inner pull shaped his artistic identity early on.
Like many young musicians, he sharpened his craft by creating renditions of popular songs.
Those experiments became his training ground. But the turning point came in 2012, when he wrote his first original song. That moment did not just mark the beginning of songwriting. It marked the beginning of self-definition.
A Calling He Did Not Chase, But Accepted
What makes the latest Indian singer-songwriter Navjot’s story especially compelling is the way he describes his relationship with music. He does not frame it as a career he aggressively pursued. In his own understanding, music was not something he chose. It was something that chose him.
There was a time when he imagined a very different future for himself. He wanted to become a successful engineer, like many young people shaped by ambition and conventional expectations. But life had a different script waiting for him. During his college years, around 2021, music entered his life professionally and began taking a firmer shape.
That shift was not driven by image-building or industry ambition. It came from acceptance. Navjot embraced the fact that music had claimed him in a way no other path could. That sense of surrender continues to define the artist he is today.
An Artist Guided by Instinct, Not Influence
Unlike many singers who speak openly about idols, icons, and musical role models, Navjot’s creative world is built differently. He does not believe his music comes from imitation or inherited influence. He listens inward.
He has never considered himself shaped by ideals in the traditional sense. In fact, he admits that he does not particularly enjoy listening to songs, especially his own. His decisions as a songwriter and singer come from instinct. He writes what feels right. He trusts what his inner voice tells him. He positions his music according to what he honestly believes in, not what trends demand.
That creative independence gives his work a distinct emotional sincerity. His songs do not feel calculated. They feel alive.
The Long Years of Invisible Struggle
Every artist carries a chapter of struggle, and Navjot’s was long, demanding, and deeply formative. One of the biggest challenges he faced was building continuity as the best new indian singer songwriter in an era where musical collaboration is increasingly fluid.
For emerging singers, especially those trying to build with a band, consistency can be difficult. Instrumentalists today have more opportunities than ever to freelance and perform with multiple artists. While that growth is positive and well deserved, it can make things harder for singers who are still trying to establish a steady team and sound around their work.
For Navjot, one of the most difficult phases came during 2021 and 2022, when he was doing club shows almost every day. It was a period of relentless performance, but not always personal fulfillment. He was largely singing covers because clubs were not open to original songs that audiences did not yet know.
For a new Indian singer and songwriter, that can be a painful compromise. To perform constantly and still not have the freedom to share your own voice requires not just resilience, but restraint.
“Khat” and the Grace of Staying Unchanged
After 14 years of effort, Navjot’s new love song Khat became a defining milestone. Professionally, he acknowledges that the song changed how society viewed him as a musician. It strengthened his place in the public eye and altered his standing in meaningful ways.
Yet personally, he remains unchanged.
That is perhaps the most striking part of his story. Navjot says his routine is still the same. His calm is still the same. His writing process is still the same. He does not want success or failure to interfere with the purity of his art. For him, emotional detachment from public outcomes is essential because the moment an artist becomes too attached to validation, the writing begins to shift.
His joy comes not from numbers, but from the attempt. If he has tried to improve his skill today, if he has written his heart out more honestly than before, then he is at peace.
Growth, Not Glory, Remains the Real Goal
Even now, Navjot is not consumed by labels such as singles artist, performer, or digital success story. His focus remains deeply personal. He wants to sing better. He wants to play instruments better. He wants to understand himself more. And he wants to become a kinder person.
That is what makes Navjot Ahuja’s journey so moving. It is not simply the story of a musician finding recognition. It is the story of an artist who continues to grow inward, even as the world begins to look outward at him. In an age obsessed with applause, Navjot reminds us that the most meaningful success often begins in silence, honesty, and the courage to remain true to oneself.
