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Masti sequel to release in summer next year

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MUMBAI: Eight years after Vivek Oberoi, Riteish Desmukh and Aftab Shivdasani went chasing Lara Dutta in the pursuit of extra-marital fun in Ashok Thakeria‘s Masti, the makers are back with a sequel Grand Masti (GM) produced by Maruti International.

However, the sequel will have the three leading men having girlfriends of their own.

When asked about the eight-year gap, director Indra Kumar says, “We have filmmakers making sequels after 20 years. Considering that, we‘re coming out with our sequel at the right time.” Calling the 2004 hit Bollywood‘s Hangover, the filmmaker adds, “While Masti has nothing to do with that Hollywood film, it surprised, shocked and entertained the audience.”

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Producer Ashok Thakeria also feels the same. “Masti was the first film where the lead characters boldly sought extra-marital fun. In GM, the story gets bolder,” he says. Not surprisingly, the sequel has a lot more double entendres. “It‘s an adult comedy no doubt, but it‘s going to be more entertaining than the first,” says Kumar.

It is said that the producer-director, who churned out hits like Dhamaal and its sequel Double Dhamaal discarded a few drafts before zeroing in on the final one.

“We didn‘t want to make a sequel just for the sake of it. The idea is to come out with something that‘s better than the first, ” says Indra Kumar.

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Having already shot for 15 days, the filmmakers plan to wrap up the schedule by November and release the film in the summer of next year.

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Kridhan Infra enters film production with AI-led feature film

Infra firm debuts AI-powered film marking RSS centenary

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MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.

With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.

The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.

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For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.

The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.

India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.

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“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”

From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.

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