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Marathi version of No Entry in offing

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MUMBAI: Bollywood hit No Entry will have a Marathi version. The remake of Boney Kapoor‘s film will go on floors tomorrow, celebrating Gudi Padwa, the Maharashtrian New Year.

Titled No Entry Pudhe Dhoka Aaahey!, the film will be produced by Premnath Rajagopalan and Nikhil Saini under the banner of Underground Films.

Elaborating on whether he sold the remake rights, Kapoor said: “I know the producers Rajagopalan and Saini for a long time. After they showed an inclination to make a Marathi remake of No Entry, I gave him the NOC to make the film.”

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The producers have enlisted reputed Marathi actors like Bharat Jadhav, Ankush Choudhari, Kranti Redkar, Saie Tamhankar, Aniket Vishwasrao, Sai Lokur, Manava Naik and Paddy Kambli to play the lead roles essayed in the original by Anil Kapoor, Salman Khan, Lara Dutta Bipasha Basu, Fardeen Khan, Esha Deol, Celina Jaitley and others.

The principal shooting of the film is scheduled to begin in May 2012 in Goa and Mumbai under director Milind Arun Kavde.

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Abundantia and invideo join hands for Rs 100 crore AI films

Studio Aion and global video tech leader join forces for 5 AI-driven films over 3 years.

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When Hollywood meets artificial intelligence, the credits might soon read “Directed by Algorithm” but Abundantia Entertainment wants to keep the human spark in the frame. The Mumbai-based studio’s AI-powered division Aion has teamed up with generative-video pioneer invideo in a Rs 100 crore strategic partnership, billed as India’s largest structured commitment to AI-driven filmmaking to date.

Announced at the India AI Film Festival (IAFF) beside the historic Qutb Minar in New Delhi on the sidelines of the India AI Impact Summit 2026, the alliance pools Abundantia’s creative and production muscle with invideo’s cutting-edge AI video tech. The duo will channel the Rs 100 crore development and production corpus into a slate of five AI-driven films over the next three years, blending human imagination with machine-powered tools to craft stories that aim to be both emotionally rich and technologically bold.

Abundantia Entertainment founder & CEO Vikram Malhotra framed the move as cinema’s next big leap, “AI in film-making is now real! Every major leap in cinema from sound to colour to digital has expanded storytelling possibility. AI represents the next inflection point. With Abundantia Aion, we are building a future where AI strengthens and amplifies the filmmaker’s voice, not substitutes it.”

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Invideo founder & CEO Sanket Shah echoed the sentiment: “At invideo our mission has always been to democratize high-quality video creation through AI. Partnering with a top-notch studio like Abundantia Entertainment enables us to extend this capability into the world of high-quality filmmaking by building tools and workflows that allow creators to move from idea to cinematic expression faster and more freely than ever before.”

The collaboration already has momentum. Abundantia Aion is developing India’s first AI-generated Hindi feature film, Chiranjeevi Hanuman, slated for release in 2026, alongside its next AI-powered project, Jai Santoshi Mata, as part of a broader slate. The partnership will explore OpenAI-style workflows, advanced generative pipelines (bolstered by invideo’s recent Google Cloud tie-up), and new ways to accelerate everything from concept to final cut.

Backed by Tiger Global and Peak XV, invideo brings deep generative-video expertise to the table, while Abundantia’s track record in storytelling ensures the tech serves the narrative rather than stealing the show. In a year when AI is rewriting rules across industries, this Rs 100 crore bet signals India’s ambition to shape not just follow the future of cinema. Lights, camera, algorithm… action.

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