Hollywood
Kate Winslet’s ‘A Little Chaos’ is set to release on 27 March 2015
MUMBAI: The upcoming period film, A Little Chaos starring Kate Winslet and Alan Rickman, is all set to hit the theatres on 27 March 2015.
The movie revolves around a romantic love story that flourishes in the gardens at Versailles. Rickman, who also happens to be the director of the movie, has in the past directed the 1997 flick The Winter Guest.
Kate Winslet plays the role of Madame Sabine De Barra, a strong-willed and talented landscape designer who has chosen to build one of the main gardens at King Louis XIV’s new palace at Versailles. She, then, becomes professionally and romantically entangled with the court’s prominent landscape artist, André Le Notre.
In her new position of power, Winslet’s character challenges gender and class barriers, encountering a slew of obstacles and naysayers along the way.
The much awaited love story also stars Stanley Tucci, and Matthias Schoenaerts.
Hollywood
US theatre group opposes Paramount, Warner Bros. merger, calls it ‘harmful’
Exhibitors warn mega deal could shrink film output and weaken cinema ecosystem
LAS VEGAS: Cinema United has come out strongly against the proposed merger between Paramount Skydance and Warner Bros. Discovery, warning it could concentrate too much power in the hands of a single player and disrupt the global film ecosystem.
Speaking at CinemaCon in Las Vegas, the group’s chief executive Michael O’Leary did not mince words as he addressed thousands of theatre owners. The deal, reportedly valued at $110 billion, was agreed in March after Netflix exited the bidding process.
“We believe this transaction will be harmful to exhibition, consumers and the entire entertainment ecosystem,” O’Leary said, cautioning that greater consolidation would allow fewer distributors to dictate terms around release windows, scheduling and access to film libraries. Theatre owners argue that such scale could reduce competition and ultimately mean fewer films making it to cinemas.
Pushing back, a spokesperson for Paramount Skydance said the merged entity plans to release 30 films annually in theatres, while continuing to operate both studios separately. The company added that the deal would expand opportunities for creators and strengthen competition by backing more projects globally.
However, exhibitors remain unconvinced. Drawing parallels with The Walt Disney Company’s 2019 acquisition of Fox, O’Leary noted a drop in wide theatrical releases post-merger, reinforcing concerns that consolidation often leads to fewer films.
“Unfortunately, history shows us that consolidation results in fewer films being produced for movie theaters,” O’Leary said.
Beyond output, Cinema United also flagged concerns around theatrical windows, warning that a combined Paramount-Warner entity could exert greater control over how long films remain exclusively in cinemas before shifting to other platforms.
With the debate set to intensify, the clash highlights a familiar tension in Hollywood: scale versus diversity. For theatre owners, the stakes are clear, as they push to ensure that bigger does not mean fewer stories on the big screen.
