Hindi
Kamasutra 3D in the contention list for Oscars 2014 in three categories
New Delhi: Rupesh Paul’s Kamasutra 3D figures in the contention list of the 86th Academy Awards, with selection in the three categories – Best Motion Picture, Original Score and Original Song with five songs.
It is the only movie from India contending in the music category lists. The results were announced on yesterday by the Academy of Motion Pictures Arts and Sciences on its official website.
Kamasutra 3D has been slated for a 23 May 2014 release after its premiere.
Presented by Dr George John (GJ Entertainments) and produced under the house of Rupesh Paul Productions (RPPL), in co-production and project design by Sohan Roy, Kamasutra 3D is the only movie with five songs after The Great Gatsby to be selected in the Original Song category. The songs include – Aygiri Nandini, Saawariya, I Felt, Of Soil and Har Har Mahadeva – composed by Chennai based music directors, Sachin and Sreejith while its lyrics are penned by Rupesh Paul and Pratyush Prakash.
Also scripted and penned by Rupesh Paul, the movie is set in the backdrop of the real historical milieu portraying the journey of a soulful love embodied with betrayal and war. It weaves the transformative changes in body, mind and soul by the forbidden world of sexual love and sensuality.
Recently, with the release of its work-in-progress trailer, Kamasutra 3D critically came out to be more of a Hollywood war based epic movie than a classic erotica, it hyped to be with the sensuous Sherlyn Chopra, initially.
Director Rupesh Paul, however, confirmed that he would not disappoint his viewers expecting the movie to be a classic erotica.
Speaking on the Oscar entry, he stated, “Probably now we have an answer for all of them who claimed the movie to be a soft porn. Hopefully, they know that soft porns are not eligible for the Academy Award nominations”. He would his movie to be considered a musical than epic or erotica as Kamasutra 3D is influenced with its melody over the drama.
After creating the best of pre sale records at the Cannes Film Festival 2013 and the American Film Market 2013 with its sale in most of the territories, Kamasutra 3D is all hopeful to make it in the final nominations of the categories in the 86th Academy Awards to be announced on 16 January, 2014 in the Academy’s Samuel Goldwyn Theater.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
